Dan Stulbach
At first glance, Serro Azul may seem like just another typical inland town, quiet and surrounded by mountains, where technological advances such as internet and cell phones have not yet arrived. A place where anyone who passes does not pay much attention, not knowing what is missing, after all, a city that is near Greenville and Tubiacanga could not fail to have its peculiarities. The main one is a source with curative and rejuvenating properties, which is the outermost part of a gigantic aquifer, a huge reservoir of what is becoming the most precious possession of the Earth: water. This source is protected by seven guardians whose mission is to ensure that this wealth does not reach the wrong hands.
An engaging plot that talks about diversity, tolerance, the difficulties of understanding and accepting what is different, as well as the clash between the will and the ethical and moral limits that permeate the choices.
Since the ban on use of animals in circus shows, the Great Sumatra Circus faces a major financial crisis. Baron, who owns the circus, accepts unseemly proposals from the mayor to hold cattle auctions, rallies and other alternative events at the circus. Unhappy with the news, circus artists come together to plan a new show and re-attract the audience, led by Didi, Dedé and Karina.
The main actor believes that true success is the attaining WHAT money can't buy and encourages people to follow their dreams. He forms a huge following which becomes cult like following. Officials start feeling threatened and conspire to kill him.
Diego is a film director very close to death, surrounded by people who are having trouble dealing with his current tempestuous mood. Chances are he won't survive, but if he does, that means he needs to relearn how to live. live.
Shortly after World War II, the city of Rio de Janeiro experiments a period of great cultural, political and economic effervescence, when all the dreams – or nearly all – seem possible. In this exciting scenery of transformation, Paulo discovers love, friendship and sex through his childhood and adolescence in the 1950’s and 1960’s.
The lives of a Shakespearian theater troupe and their struggles to stage a production of 'Hamlet'.
Rio de Janeiro, April 18, 1945. Brazil's foreign policy aligns closely with that of the United States and opens a brief period of democratic rule after the end of World War 2. For years, hundreds of people were arrested and tortured by the Vargas regime. But with the external pressure, several political prisoners gain freedom.
Reserved, intelligent and generous, Leo has achieved professional success and now lives secluded in Serra da Cantareira, alongside young Karina. He discovers that he is ill, and decides to reunite the old friends of the 1970s, with whom he fought the military regime.
The life of Elis Regina Carvalho Costa (1945-1982) since she was a little gaucho who loved to listen and sing along with the radio. On the day she is taken to participate as an amateur in the radio show Clube do Guri, in Porto Alegre, the girl suffers a blockage and mutters on stage during the live broadcast. The following year, she returns and releases her voice, and her singing career begins to take off. Known as the "hurricane of Brazilian music" and chilli pepper, Elis Regina represents the most-celebrated Brazilian Popular Music revolutionary.
In Rio de Janeiro, the teenagers Lia and Rodrigo have opposite behaviors and personalities. The clumsy Rodrigo is responsible and good student, while the emancipated Lia is totally irresponsible. They have their first sexual intercourse together on April 23rd, and they schedule to meet each other every year in the same date. Along the years, Rodrigo graduates in engineering and gets married with Clara (Christine Fernandes), having a son. The single mother Lia has a life without any commitment, moves to Paris and comes back to Brazil later. After a comedown, Rodrigo leaves his family and quits his job to live with Lia. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Senhora do Destino foi uma telenovela brasileira produzida e exibida pela Rede Globo entre 28 de junho de 2004 a 12 de março de 2005, totalizando 221 capítulos. Escrita por Aguinaldo Silva com a colaboração de Glória Barreto, Maria Elisa Berredo e Nelson Nadotti. Dirigida por Luciano Sabino, Marco Rodrigo, Cláudio Boeckel e Ary Coslov, com direção geral e de núcleo de Wolf Maya. Apresentou Susana Vieira, José Wilker, Carolina Dieckmann, Eduardo Moscovis, Letícia Spiller, Leonardo Vieira, Tania Khalill, Dan Stulbach, Carol Castro, Dado Dolabella, José de Abreu, Marcello Antony, Débora Falabela, Marília Gabriela, José Mayer, Leandra Leal e Renata Sorrah nos papéis principais. Foi reapresentada no Vale a Pena Ver de Novo de 2 de março de 2009 a 21 de agosto de 2009 em 123 capítulos, substituindo Mulheres Apaixonadas e sendo sucedida por Alma Gêmea.
Mulheres Apaixonadas is a Brazilian soap opera which originally aired on Rede Globo from February 17, 2003 to October 11, 2003. A total of 203 episodes were created for the series.
Pedro da Maia, meets a beautiful woman called Maria Monforte with whom he gets married despite his father's objection. The marriage produces a son, Carlos Eduardo, and a daughter. Some time later, Maria Monforte falls in love with Tancredo and runs away to Italy with him, taking her daughter along. When Pedro finds out, he goes with his son to his father's house where he commits suicide. Carlos stays at his grandfather's house and is educated by him. Carlos, becomes a doctor and opens his own office. Later he meets a gorgeous woman, Maria Eduarda. The two fall in love and have dozens of nights together. Eventually Carlos finds out later that Maria lied to him about her past and he starts fearing the worst. In the end, Carlos finds out that Maria is his sister. He informs her that they are siblings and that they cannot live like this anymore. Carlos, to forget his tragedies, goes for a trip around the world.
Filmed over a five-year period, Chronically Unfeasible dissects Brazilian problems, using six people who meet in a restaurant in São Paulo as models to illustrate political, sociological and economic disparities between Brazil's upper and lower classes.
