Daniel Toscan du Plantier
Two men, fifty years young, seduce younger women at the Cannes Film Festival and are quite successful as long as there are no youngsters among them.
Noël Godin and his supporters throw a pie with cream into the face of Daniel Toscan du Plantier in the Palace of the Film Festival of Cannes 1996.
Actors in August Strindberg's "Inferno" have a philosophical discussion.
In France during World War II, a poor and illiterate man, Henri Fortin (Jean-Paul Belmondo), is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
Dodo, a French man living in Florida, has one goal in life: Get by without working. Difficult to implement without the help of some women. Betty is one of them, and a gypsy's bride, who suddenly disappears, changing Dodo's life.
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
Jacques asks a public writer to compose love letters for a beautiful stranger that he pretends he has just met.
A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son (Soumitra Chatterjee) who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.
Zulawski tackles Modest Mussorgsky’s famous opera about the bloody battle for ascendancy to the throne of Russia in the 17th-century! With a score conducted by Mstislav Rostropovich, Zulawski adds extra layers of devilish meta-textual embellishment by composing the film’s imagery as though we are watching a theater piece of a film crew making a movie about the opera of “Boris Godounov”! As well, the picture is full of delightful anachronisms that mock the then-contemporary Russian government, alongside jabs at other 20th-century dictatorships. So incensed was Rostropovich by Zulawski’s juiced final product — one that took liberties with the narrative’s sexual thrust, amongst other things — that he (unsucessfully) took Zulawski to court for “the violation of the Russian soul”! “Impressive in its use of whirling camera movements as well as mega close-ups of the contracted faces of its singers, ‘Boris Godounov’ is one of the most original opera movies ever made”
Paris, October 1948. Nino, Gilles, Donald, Barbara and their friends are a new breed of spectators. They discover the cinema as art, they are moviegoers. They will try to realize their grand project: to found a film club. "My film first wants to be a testimony of young people who have lived for a passion. Cinema"
Satan tempts Father Dossignan, who is trying to save the soul of a young girl who killed one of her lovers.
A portrait of youth in bloom; a tale of one family's dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She's 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant's tenderness, force-of-will, and presence of being.
As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.
A businessman finds himself trapped at a hotel and threatened by women en masse.
Jonathan Harker, a real estate agent, goes to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar. Once Jonathan is caught under his evil spell, Dracula travels to Wismar where he meets the beautiful Lucy, Jonathan's wife, while a plague spreads through the town, now ruled by death.
Account of a film director's brief affair with a young neighbour, and his involvement in the social and political ramifications of a tenancy dispute in an apartment block. Filmmaker Bernard (Michel Piccoli), who is suffering a creative block, enters into an affair with the much-younger Anne (Christine Pascal).
The internationally produced The Lacemaker (La Dentelliere) stars Isabelle Huppert as Pomme, a meek and mild French beautician whose life takes a fateful turn during a vacation to Normandy. Here Huppert becomes the lover of middle-class literature-student Francois (Yves Beneyton). The relationship sours when Francois takes her home to meet his parents, thanks in no small part to their differing social backgrounds. The Lacemaker was the film that solidified the stardom of Isabelle Huppert; she was showered with awards, most notably the British Film Academy.
A group of disillusioned young Parisians seek solace in politics, religion, romance, music, and drugs.
Two distant cousins meet at a wedding banquet for an elderly couple. Over time, a close friendship develops between them, but their spouses begin to think that they are more than just friends.
