Daniela Thomas
In the Kalapalo cosmogony (an ethnic group that lives in the Xingú Indigenous Park), water is as old as humans and is the source of life. That is where all their sustenance comes from, their food, their drink, their joy. The idea of using water as a dumpster, of poisoning water is a dystopia. In this documentary Chief Faremá —from Caramujo village on the banks of the Kuluene River— tells us about the birth of water and warns us about the consequences of disrespecting it.
Composed by eleven short-movies. Started in 2018, the project explore in a sensible and creative way the position of humankind and nature. The key stories illustrated by the eleven internationally recognized filmmakers reflect the intertwined relations between human society and natural environment that are aggravated by climate change on multiple dimensions and scales, hinting at possible solutions.
An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer, and the occasion is the wedding anniversary of the magazine publisher and his wife, a famous theater actress. The publisher has written an open letter to the president of the country, with serious denunciations, which will run in the upcoming issue. He risks being arrested this very evening. As tensions increase with the imminence of prison, secrets come to light revealing the conflict between the ethics sought in public life and the ethics practiced in private life.
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
In an empty city, scorched by the sun, the young and old confuse the fever of sunstroke with the delicate birth of passion. Like ghosts, they hover around buildings and endless flatlands in search of the ever elusive love. Inspired by 19th century Russian short stories, the plots weave and unravel together in the improbable city of Brasilia – a distorted mirror-image of the Soviet utopia – located in the heart of the Brazilian desert.
In the periphery of São Paulo, the pregnant single mother Cleuza works as maid in the apartment of a middle-class family. Each of her sons has a different unknown father: the oldest, Dênis, has a baby son that lives with his mother and he works as motorcycle courier.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
In this new adventure, Maluquinho is spending the holidays at the home of his grandfather Tônico (Stênio Garcia), an inventor who lives in a small community in the interior of Minas Gerais. His friends Junim (Samuel Brandão), Lucio (Cauã Bernard Souza), Bocão (João Romeu Filho) and Nina (Fernanda Guimarães) are coming to the city to help Maluquinho organize the circus for the centenary of the city. On this trip, they meet Tatá-Mirim, a small flame that ends up making the city believe that they are being invaded by the Capeta. So they end up living many adventures.
After the death of his mother, a young Brazilian decides to leave his country and travel to her native land. In a foreign land, he finds love and danger.
A documentary about the fathers of Bossa Nova: João Gilberto and Antonio Carlos Jobim.
