Daniele Natali
Agnese and Stefano are profoundly different. She is only seventeen, lives with her mother – a harsh and devoted woman – is a regular church-goer and is about to take a vow of chastity to last until marriage. He is twenty-five, has a violent temper and a difficult past behind. He works as a warden in a car park that borders a Roma camp. Their unexpected meeting engenders a true sentiment, made of little stolen moments and mutual help.
Is art useful to man? The actors are suited to society. Passers-by are people who want to dream but have now lost confidence, laziness on the one hand, conditioning and deschooling on the other, require you to lower your sights and everyone is content to pursue modest cheap expectations. Reality and art are not in communication, impoverished by individualism, the actors and artists dance to the rhythm imposed by power, they slaughter each other, they abuse each other without realizing the possibilities of communication that open up by moving outside the choir. Rome is occupied by every step, the foot walking lightly occupies the public land. But this occupation is not news because it is lightning fast. The criteria of employment mark the time.
Sabina has a regular life. She is satisfied with her job and her love for Franco. Lately nightmares start disturbing her, and almost in the same time she discovers to be pregnant. Step by step she remembers her childhood spent within a severe middle-class family. But a big secret is hidden within her heart. Sabina wants to contact again her brother, a University teacher in the US, to try to understand what is happened in their past. What is the secret? She is determined to bring clarity and serenity in her life. She finally manages to free herself from her "beast in the heart".
