Darío Levy

The film is set in the world of the “arbolitos", those characters that, planted along the Florida pedestrian street, offer tourists in Buenos Aires to buy their dollars at the best price. There takes place the life of a young man who is moved by the ambition to raise the money that allows him to improve his life in the shortest possible time, and that he will not hesitate to take the necessary risks to achieve it.

In a downtown building, old and beautiful, of the turbulent Buenos Aires, stories of men and women who keep secrets behind solid walls are intertwined. For Lucy, it is the secret price for freedom; for the Ukrainian immigrant and the Tucuman teenager, it is a refuge; for Lorenzo, it is debauchery; for Gaby and Mariano, disagreement; for Mónica and Sergio, the promise of new life. The stories are intertwined. No one is the same after opening the door to their most intimate desire

In 2006, a group of thieves performed what is considered one of the most famous and smart bank heists in the history of Argentina. How they robbed the Rio bank is as surprising as what happened afterwards. This is their story.

Nestor is extremely superstitious. This year, his team plays the ascent in Mendoza and prepares to travel with Rafa, his friend. But Fabian appears, a mufa. The ascent is in danger, unless they can prevent Fabian from reaching the stadium.

The solitary life of Santos, a hermit and mysterious fisherman, is altered when three young men arrive to open a hostel near his beach. In an apparent calm, everything is getting complicated. They wait, calculate and all arrive at the appointment of a duel in which everything can fly through the air.

Leo is going through a rough patch. His job as a college professor doesn’t provide him with enough money, and to make matters worse, his partner leaves him. He will look for palliatives during one Buenos Aires evening filled with excess in which the threat of self-destruction is always lurking.

Eva is Paraguayan immigrant and works as a maid in the home of a wealthy family that has two little children. Her own children are far away, in the care of their grandmother. Eva does not have enough resources to support them and her reality is far from improving.

Familia para armar tells the story of the emotive encounter between a father and his teenage daughter after a long and traumatic separation. Ernesto is an obfuscated and distant father and Julia a hardheaded daughter wanting to be loved and to rebuild the relationship with her father.

Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers

Felix, a 21-year-old loner and drifter who seeks a way of life comes to a humble village entrerriano and work relationship with a man who after losing his job while you earn a living selling fruit, candy and canned prepared by his wife. The man takes his camper, which may help in exchange for food and a corner to sleep. As the days pass, tried to identify the bitter resentment of man, the quiet submission of his wife, discontent and violence undercover tense atmosphere. Also living there Chango, a baby a year and a half, unattended, which awakens in him the illusion of paternity until he is kidnapped and flees taking him to Buenos Aires.

This film follows the crisscrossed fortunes of, among others, a rock musician, a flight attendant, a dog walker with an alarming penchant for over-the-counter medication, and a cab driver, who doesn’t really care about his life spiralling out of control, as long as he can sit in his old Renault 12.

Zapa is a locksmith in a quiet and little town lost somewhere in the province of Buenos Aires. The work is quite slow, and hours seem to pass slowly. Polaco, the owner of the shop, sends him on a job that consists of opening a safe at an office. The next day, Zapa is imprisoned for being responsible of robbing the place. Ismael, his uncle, a retired policeman, bails him out and sends him to Buenos Aires. Zapa becomes an aspiring officer in the Buenos Aires Police. He gets to his new home city, takes the instructional course, works at a precinct, has a love affair with a teacher and starts to see his life turn into a strange fiction.

Along one day, powerful Argentine Federal Judge Alberto Franccioni receives at his house different people from his inner circle asking for advice and council, typing their lives and grouping in power.

The rebel Luciano, having committed a terrible crime, is forced to flee to Tierra del Fuego where his story is transformed into the legend of King Crab.