David Bradbury

The film combines comedy and serious content to explain the dangers of uranium mining, the nuclear fuel cycle and the use of depleted nuclear materials – much of which originates in Australian uranium mines – in weapons production. The message is simple and clear: Despite assurances from the mining companies, there is NO SAFE LEVEL of radiation exposure, below which there is no risk of cancer or birth defects occurring.

My Asian Heart follows award winning photojournalist Philip Blenkinsop on assignment to China, setting up his next exhibition. Capturing Nepal during the pro democracy uprisings. And reflecting on the plight of the Hmong “survivors” who continue to haunt him. In Philip’s world there’s constant tension between his artistic commitments and the drive to report on world conflicts. From the director of the Academy award nominated film Frontline about the legendary Vietnam war news cameraman Neil Davis, David Bradbury’s film, My Asian Heart.

An intimate and often dangerously up-close portrait of a man driven to change the world and a frightening insight into the politics of poverty in 21st century Argentina.

Blowin' in the Wind examines the secret treaty that allows the US military to train and test its weaponry on Australian soil. It looks at the impact of recycled uranium weapons and the far-reaching physical and moral effects on every Australian. The film's release has been timely as the Australian government currently moves to approve more uranium mines while arguing the contrary - that by going nuclear Australia is being both 'safe' and 'green'.

This documentary explores the life and times of Russell Dean Willey, a neo-Nazi supergrass, in order to explain the presence of Jack Van Tongeren's Australian Nationalists Movement in Australia, and its spread, especially in difficult economic times.

Examines how the political and economic struggle in Central America is expressed through the vibrant and passionate music of the people south of the border, from Mexico to Managua.

A portrait of a brutal Pinochet military dictatorship made during a three month visit to Chile in 1985 by David Bradbury. The footage reveals a country torn with civil strife and political unrest; military intimidation of the population; indiscriminate arrests: murder torture and disappearances were facts of Chilean life. Bradbury's film traces the 12 years from 1973 to 1985 of General Augusto Pinochet's dictatorship whose forces seized power in a bloody, US-backed coup that left Marxist president Salvador Allende dead and with him any hopes of democracy remaining in Chile. Under General Pinochet's rule 50,000 Chileans have been detained, and many are missing. believed dead. CHILE: HASTA CUANDO? ('when will it end?') reveals the tragedy of a divided country.

In 1978 the revolutionary Sandinista movement came to government after 43 years of organised resistance and the death of 50,000 Nicaraguans. This film follows charismatic guerilla leader Tomas Borge opposing CIA attempts to overthrow the Sandinistas.

Front Line is a 1981 Australian documentary film directed by David Bradbury. It follows the career of Tasmanian-born combat cameraman Neil Davis, particularly his time in South Vietnam and Cambodia in the late 1960s and early 1970s. It was nominated for an Academy Award for Best Documentary Feature.

Australian journalist Wilfred Burchett reported the Vietnam War from the perspective of the North Vietnamese. For this he was reviled as a traitor and a communist in the Australian media. He had been the first journalist into Hiroshima after the atom bomb, and he covered wars in Vietnam, Laos and Cambodia. Filmmaker David Bradbury interviews Burchett in his later years and intercuts the interview with archival footage and still photographs. Burchett is seen in newsreel coverage and in footage taken by the North Vietnamese. Archival footage of the Vietnam War and newsreel footage of Hiroshima after the atom bomb enrich the documentary.