David J. Schow
The true story of a decades-long conflict between the Los Angeles Police Department, under the determined leadership of Police Chief William Parker, and ruthless criminal elements led by Mickey Cohen, a one-time boxer who rose to the top of L.A.'s criminal world. The series is a fast-paced crime drama set in Los Angeles during the 1940s and '50s. It's a world of glamorous movie stars, powerful studio heads, returning war heroes, a powerful and corrupt police force and an even more dangerous criminal network determined to make L.A. its West Coast base.
Taking inspiration from Peter M. Bracke's definitive book of the same name, this seven-hour documentary dives into the making of all twelve Friday the 13th films, with all-new interviews from cast and crew.
Retrospective on The Nightmare On Elm Street Series.
THE LOST SKELETON RETURNS AGAIN takes on a whole new series of clichés, primarily drawn from those low budget adventure epics -- rich in potted ferns and stock footage -- that thrived on cheap back lots from the early 30s to the late 50s. It also wanders beyond the narrow confines of jungle pictures, parodying everything from gangster movies to those Mondo films of the 1960s, with their salacious native dances.
The cast and crew of all four Psycho films recall their time working on the influential horror series, and modern masters of horror reminisce on what the movies stirred in them.
A group of young horror fans go searching for a film that mysteriously vanished years ago but instead find that the demented killer from the movie is real, and he's thrilled to meet fans who will die gruesomely for his art.
Years ago, they pulled a disastrous childhood prank on the neighborhood ice cream delivery man that got him killed, but now as they've become adults with families of their own, the last thing anyone expected was for that man to come back in the form of a vengeful, bloodthirsty spirit.
In the middle of nowhere, with only a two-lane highway to connect it to anywhere, a recently divorced woman traveler, who's a passenger on a bus that has broken down, gets caught in a bizarre and violent turf war between serial killers.
Chrissie and her friends set out on a road trip for a final fling before one is shipped off to Vietnam. Along the way, bikers harass the foursome and cause an accident that throws Chrissie from the vehicle. The lawman who arrives on the scene kills one of the bikers and brings Chrissie's friends to the Hewitt homestead, where young Leatherface is learning the tools of terror.
Alex Proyas' classic hilarious B-grade spoof FRANK'S DREAM. Made sometime around 2002, and not completed until 2005
First surfacing in 1954, the Gill-Man from CREATURE FROM THE BLACK LAGOON has been one of the most influential screen monsters. This documentary fondly recalls the history of the 3-D horror film - which spawned several sequels and countless imitators - and the behind-the-scenes story of its making as told by cast and crew.
Documentary about the making of and legacy of The Creature from the Black Lagoon included in The Legacy Collection box set.
The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.
Just before bounty hunter Charile triggers his gun to destroy the last two Critter-eggs, he gets a message that it would be illegal to extinguish the race from the galaxy. He's sent a transporter where he puts the eggs - unfortunately the transporter takes him with it and then gets lost in space.
In what appears to be a cross between Critters and The Towering Inferno, the residents of a shoddy L.A. apartment block are chased up to the roof by hoards of the eponymous hairy horrors.
A couple encounters a perverted gas station attendant who threatens them with a shotgun. They take a deserted path in Texas to seek help, but only meet up with a cannibalistic clan interested in helping themselves to fresh meat.
