David King
From the discovery of huge oil fields off the coast of Scotland to their mass privatisation during the Thatcher era, The Oil Machine highlights how oil became the invisible engine driving UK economic and public policy. In the wake of COP26 in Glasgow, demand for climate action has become a key societal concern and the pressure on both oil companies and the government continues to mount. Bringing together a wide range of voices, from industry executives and economists to young activists, Davie offers a visceral and thought-provoking interrogation into how this insidious machine might be dismantled.
Alex (Julian Sands) is a lonely, centuries old vampire wandering the streets of London. The only woman he ever loved was lost to him centuries ago...but there's a new woman in his life, a woman named Ann who bears an extraordinary resemblance to Virginia, the young girl Alex once loved. Ann has recently lost a love of her own to a fiery car crash, and lives deep in her own gray depression. After an anonymous letter leads her to a new job in an occult library, Ann begins a slow, hesitant courtship with Alex, whom she finds both attractive and a little spooky. Alex, confused and jaded (and also unable to refrain from imagining himself feeding on Ann) holds her at arms length. But the fears and emotions of Alex and Ann are not the only complications in their relationship. There's another man stalking them both...a man named Edgar, who was once married to Virginia and has been looking for Alex for a very long time.
Lamentations: A Monument to the Dead World belongs to a 35-hour film cycle, The Book of All the Dead, which comprises the bulk of Toronto-based Bruce Elder’s filmmaking from 1975 to 1994. In ancient Egyptian culture, the Book of the Dead consisted of religious texts intended to help preserve the spirit of the departed in the afterlife — but in Elder’s reading, that comforting idea of continuity takes on a rather darker cast. Lamentations is comprised of a complex audio and visual patchwork: a philosophical meditation superimposed as text throughout the film; vignettes featuring a comical but disturbing Franz Liszt, a debate between Isaac Newton and George Berkeley, an angry, deranged man in an alley, and an arrogant psychiatrist; and a final search for salvation in the forests of British Columbia, the American Southwest, and Mexico’s Yucatan.
Meet The People, takes a look at preparations for a visit by Prince Charles, as management try to enlist the miners help in sprucing up the pithead.
That's Your Funeral was a BBC sitcom from 1971. The show was about a North of England funeral director called Basil Bulstrode. It used numerous urban legends about the funeral industry in its storylines. The show only lasted for one series before being axed. A very similar theme was used far more successfully in the ITV sitcom In Loving Memory.
Another World is an American television soap opera that ran on NBC for 35 years from May 4, 1964 to June 25, 1999. Set in the fictional town of Bay City, the show in its early years opens with announcer Bill Wolff intoning its epigram, “We do not live in this world alone, but in a thousand other worlds,” which Phillips said represented the difference between “the world of events we live in, and the world of feelings and dreams that we strive for.” Another World focused less on the conventional drama of domestic life as seen in other soap operas, and more on exotic melodrama between families of different classes and philosophies.
