David M. Edelstien
After a disaster on the sister ship and a troubling discovery, Moira patches Cole up. Jensen works on finding a solution to their predicament.
Moira informs the crew how Sanders’ copy died. Cole is put on the defensive. An unfortunate choice reveals a horrible new truth.
All hope is seemingly lost when a potential solution presents itself. The remaining crew must act fast if they are ever going to break the cycle.
When Off-World Officer Cole Freeman finds the missing research vessel ATROPA, he discovers an inconsistency in the ship logs. He wakes the crew from hypersleep, and they soon find themselves caught up in a much bigger mystery.
Flashback to Cole’s time as a detective on Earth. An important event from Cole and Moira’s past is revealed. Captain Schreiber gives Cole a choice on Valley Forge Outpost.
With power failing, the remaining crew search for Sanders. The group splits, and Sanders makes his move.
After their mysterious collision, the crew must act fast to save the critically damaged ship. With power failing, Cole makes a bold decision.
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
A story of survival about a woman's first night in a Soviet prison camp. After committing a crime to protect her son, Anastasia is sentenced to 12 years in a Soviet prison camp. Her arrival upsets the balance between the inmates. In a night of backstabbing and shifting alliances, she must find a way to escape and discover the hidden truth of her survival.
When a teacher at a Christian high school becomes pregnant out of wedlock, she is forced to decide if she should yield to the institution's teachings or fight for her civil liberties.
In the 1830's emigrants from Salem, Massachusetts fled their satanic legacy and came to settle in LaSalle County,Illinois. They brought along with them some of their more unpleasant, unsavory past. There were plain wars between settlers and Indians and whites put together a massacre and mass buried them in what became the cemetery. The Moon family were the curators of the plots. Local legend began after such things as farmers being woken up in the middle of the night with loud crashes coming from the cemetery, and then investigating and seeing all the tombstones knocked over. And then there were the murders.
A young Jewish man, Aaron, mid-twenties, has returned home from the war in Iraq to find his wife, Sarah, on her deathbed. He finds the strength to go on living as he's faced with yet another tragedy, the impending death of his little girl, Irene, diagnosed with terminal cancer. Grief stricken, the young father's love triumphs, to bring sweetness and magic to Irene as a little princess during last days on earth. This film depicts the strength of human spirit and compassion, the beauty of faith, love and the heart of family.
The story is set in the latter days of World War 2, against the backdrop of fierce combat on the eastern front. Brother's War is based on real events.
