David Villemin

Four childhood friends are reunited when one of them surfaces after twenty years, forcing them to confront a creature straight out of a spine-chilling Moroccan legend.

Three patients and a nurse from a women's psychiatric ward in Casablanca, Morocco, confront their suffering and forge a strong friendship, escaping in occasional nocturnal escapades that slowly help to bring them back to life.

Sarah works in a garage at the local junkyard. She is trying to save up enough money to continue her studies, and to fix up an old Renault 4 so that she can finally fulfill her autistic brother's dream: to go to the beach.

They are the invisible masses that populate our streets. They are hiding among us... Professor Douglas is hiding among them...

The protagonist is obsessed with the 1982 film Disco Dancer that his now deceased projectionist father showed him when he was a kid, a film that, his father said, contains the answers to all questions. Jimmy adopts the name and dress of its hero, his bedroom is an altar to Bollywood and disco, he lives in a state of arrested development that starts and stops with Disco Dancer. Of course, he is in love with Mouna, the dream girl who lives on the other side of the tracks, and whose bourgeois demeanor rubs up his pal, Houda, the wrong way. In order to get to her, the dazzled thirty-year old dreamer decides to shoot a remake of Dirty Dancer with a “borrowed” IPhone, in the slums. The destruction of the latter is imminent, under the harsh command of a cruel villain: Barkour.

Chaibia spends her childhood and adolescence in poverty and in the illiteracy. Her life changes when she is contacted with the paints of her son. The true history of the great painter Chaibia Talal from Morocco.

Three lives collide and go over the dark side.