Derek Jarman
Derek Jarman’s Will You Dance with Me? is an essential document of LGBTQ London that was unseen until 2014, 30 years after it was originally shot. In September 1984, Jarman was invited by director Ron Peck and writer Mark Ayres to record improvisations at Benjy’s, a gay club in East London’s Mile End district, as part of the early experimental work for their feature film Empire State, a neo-noir that would be released in 1987. The coed, racially diverse crowd of roughly 100 people at Benjiy’s that night included club regulars, bar staff, and potential players in Empire State. Every single detail captured in Jarman’s on-location assignment abounds with era-specific riches: from the New Romantic cutie journaling while nestled in a corner booth to the DJ’s cheerful exhortations and the songs he spins (“Let the Music Play,” “Planet Rock,” “Relax").
Derek, in chronological order, records the work and life that stands at the foot of Derek Jarman's humour and spirit of being an artist. The filmmaker and actress, Isaac Julien and Tilda Swinton respectively, have produced and narrated a film on his life whereby the use of language is perpetuated to give some type of palpable meaning to British audiences alone, and to their own personal relationship with him.
"Pet Shop Boys filmed live in Rio De Janeiro, Brazil, at the end of their 1994 Discovery tour of Singapore, Austrailia and Latin America. They perform many of their biggest hits from West End Girls to Go West, with dancers and films before a wildly enthusiastic Brazilian audience." Setlist. 1. Tonight Is Forever 2. I Wouldn’t Normally Do This Kind Of Thing 3. Always On My Mind 4. Domino Dancing 5. To Speak Is A Sin 6. One In A Million / Mr. Vain 7. Paninaro 8. Rent 9. Suburbia 10. King’s Cross 11. So Hard 12. Left To My Own Devices / Rhythm Of The Night 13. Absolutely Fabulous 14. Liberation 15. West End Girls 16. Can You Forgive Her? 17. Girls And Boys 18. It's A Sin / I Will Survive 19. Go West 20. Go West (Reprise) 21. Being Boring
In this short film written and directed by Alexis Bisticas, the audience sees through the eyes of a man in the woods, following the distant sound of a saxophone. In a single take, the fluid steadicam shot takes the viewer on a surreal and poetic journey, as the walker comes across everything from family picnics to men in bondage suits.
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein, whose principal interest was the nature and limits of language. A series of sketches depict the unfolding of his life from boyhood, through the era of the first World War, to his eventual Cambridge professorship and association with Bertrand Russell and John Maynard Keynes. The emphasis in these sketches is on the exposition of the ideas of Wittgenstein, a homosexual, and an intuitive, moody, proud, and perfectionistic thinker generally regarded as a genius.
The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.
Derek Jarman discusses his film and visual art work in this experimental conversation film.
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
In this revealing documentary, Ken McMullen creates an elegant portrait of artist and filmmaker Derek Jarman, based on an interview conducted by John Cartwright. The questions are unobtrusive, allowing Jarman to reflect on his major films. Despite the debilitating effects of serious illness, we see an artist with his inner vision unimpaired; still humorous, self effacing and disarmingly charming.
Thirteen Smiths' recordings, half of them in a club with a live audience. These alternate with five rock videos, two directed by Derek Jarman (Panic and Ask), two by Tim Broad (Girlfriend in a Coma and Stop Me...), and one by Paula Grief and Richard Levine (How Soon Is Now?). It concludes with Jarman's short film, "The Queen Is Dead," with a three-song soundtrack. The rock videos, particularly Jarman's, are filled with multiple and superimposed images, changing tints, and little narrative coherence; they get their pace from the music's rhythm. Androgyny, dancing children, belching smokestacks, graffiti, angry young men, a waif in a cap: collages of modern alienation.
England, 14th century. King Edward II falls in love with Piers Gaveston, a young man of humble origins, whom he honors with favors and titles of nobility. The cold and jealous Queen Isabella conspires with the evil Mortimer to get rid of Gaveston, overthrow her husband and take power…
A BBC Arena profile of the Director from the time of the release of his film, The Garden, featuring interviews with Jarman, his collaborators and friends.
A studio discussion which looks at the push for gay marriage, or domestic partnership laws, in Britain, the USA, and Denmark. Would such laws be a truly radical initiative, or a complete sellout to the notion of equality with heterosexuals?
A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous.
A film with no spoken dialogue, just follows the music and lyrics of Benjamin Britten's "War Requiem, which include WWI soldier poet Wilfred Owen's poems reflecting the war's horrors. It shows the story of an Englishman soldier (Wilfred Owen) and a nurse (his bride) during World War I. It also includes actual footage of contemporary wars (WWII, Vietnam, Angola, etc.)
The artist's personal commentary on the decline of his country in a language closer to poetry than prose. A dark meditation on London under Thatcher.
Ostia is a fascinating short film directed by Julian Cole and produced for the Royal College of Art, which reconstructs the events leading up to the murder of Pier Paolo Pasolini. Ostia relocates the proceedings to London and stars Derek Jarman as Pasolini. The film features an evocative dream sequence which is accompanied by poignant excerpts from Pasolini’s own poetry, as read by Jarman.
Documentary exploring the life and work of artist, Derek Jarman.
Clause and Effect is a tape that combines documentary footage with positive images of gay men and lesbians to show the impact of Clause 28 of the Local Government Bill both on them and the wider community. The tape is framed by an exclusive interview with Derek Jarman who talks about the origins of the Clause, ‘its roots in the moral majority and their interpretations of the Bible’, the effect that it will have on the community and on his work as a film maker.
Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John 'Joe' Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as 'What the Butler Saw' and 'Loot', Halliwell begins to feel alienated and the pair's future looks increasingly uncertain.
Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary Final Academy events at the South London Ritzy Cinema. These were Burroughs-themed art and performance nights curated by Psychic TV. Jarman’s film shows Burroughs on Tottenham Court Road signing autographs with fans and inside a shop buying alcohol. The industrial soundtrack by Psychic TV features a sample of Burroughs repeating "boys, school showers and swimming pools full of 'em'". Additional footage shot by Jarman during Burroughs' visit is reported to have been confiscated by Scotland Yard in 1991 and remains lost. Jarman and Psychic TV would continue to collaborate (“magic bound us together” Jarman wrote), with Jarman directing the music video for Catalan 1984 and staring as the spokesperson for the Psychic TV film Force the Hand of Chance - Message 1982.
Derek Jarman's sequence from the anthology film Aria,which gathered together short musically-themed pieces by a variety of internationally esteemed directors.
Andy, a laddish Essex boy with a knack for creating gorgeous furniture from found wood, has had a life packed with excitement. He tells a string of riveting anecdotes with his trademark cocky swagger in this fondly remembered documentary. From his work as a rent boy to a spell stealing cars to his discovery by filmmaker Derek Jarman, Andy makes for a hilariously blunt and bawdy raconteur.
As influential Italian artist Caravaggio dies in exile in 1610, he recalls his short life, from his childhood to his initial artistic failures to his later triumphs as he catches the eye of a sympathetic cardinal to his destructive relationship with a dashing gambler.
Three song clips by The Smiths ('The Queen is Dead', 'There is a Light that Never Goes Out' and 'Panic'), all directed with an artistic and conceptual vision by the late Derek Jarman. The result is the junction of the powerful lyrics and melodies by Morrissey and Marr combined with Jarman's expressive images.
The Angelic Conversation is a lyrical, haunting film about a young man’s search for love, in a dreamlike landscape. Offscreen, Dame Judi Dench recites a sequence of Shakespeare sonnets, that counterpoint the action. Jarman called it, “My most austere work, but also the closest to my heart.”
In the early 1980s, Jarman struggled to get feature film projects off the ground and invested his energies in different fields, including music videos. In 1984 he made the promo for ‘What Presence?!’ by Scottish post-punk band Orange Juice, as fronted by Edwyn Collins. Before the official shoot, however, he visited the location and made this tape, trying out shots with a newly acquired Olympus VHS camera. The warm colours and fuzzy softness of the format, plus the decision to shoot handheld, imbue this little-known, rarely seen artefact with a palpable directness.
Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.
A short non-narrative film made to commemorate the visit of Burroughs and Gysin to the UK. The film consists of multiple short vignettes: Witches Song (1979), Broken English (1979), Ballad Of Lucy Jordan (1979), Pirate Tape (Derek Jarman, 1983) and T.G.: Psychic Rally In Heaven (Derek Jarman, 1981).
A shadowy, sharply-dressed spokesman for the occult, chaos-magic fellowship and network The Temple of Psychic Youth reads a brief message.
A stop-motion film showing Jarman and several other occupants vandalizing an apartment from which they have just been evicted.
'The Shadow of the Sun' draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.
An experimental film of the group Throbbing Gristle in concert.
12 minute short film for 'Broken English' directed by Derek Jarman, comprised of “Witches Song”, “The Ballad of Lucy Jordan” and “Broken English”. Part of the “The Dream Machine” vignette (1983).
Prospero, a potent magician, lives on a desolate isle with his virginal daughter, Miranda. He's in exile, banished from his duchy by his usurping brother and the King of Naples. Providence brings these enemies near; aided by his vassal the spirit Ariel, Prospero conjures a tempest to wreck the Italian ship. The king's son, thinking all others lost, becomes Prospero's prisoner, falling in love with Miranda and she with him. Prospero's brother and the king wander the island, as do a drunken cook and sailor, who conspire with Caliban, Prospero's beastly slave, to murder Prospero. Prospero wants reason to triumph, Ariel wants his freedom, Miranda a husband; the sailors want to dance.
A gay teacher is forced to hide his sexuality by day while living his secret life by night, in Great Britain in the 1970s, not mixing his professional and private life, until the day comes when his students and his headmaster find out.
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
This film was shot on Super-8 by Derek Jarman in 1977 and is considered to be the inspiration for Jubilee. Jarman often showed his films silent or with different musical accompaniment - one of Jarman's suggestions was Brahms' "Violin Concerto."
An experimental short film by Derek Jarman cuts together disparate footage.
Rome, AD 303. Emperor Diocletian demotes his favourite, Sebastian, from captain of the palace guard to the rank of common soldier and banishes him to a remote coastal outpost where his fellow soldiers, weakened by their desires, turn to homosexual activities to satisfy their needs. Sebastian becomes the target of lust for the officer Severus, but repeatedly rejects the man's advances. Castigated for his Christian faith, he is tortured, humiliated and ultimately killed.
An experimental film by Derek Jarman in which male subjects are bathed in light.
A filmed record of a bizarre garden party organized to pay a fine incurred by singer Ulla for "liberating a chandelier from Harrods."
Super 8 short film by Derek Jarman, shot on Fire Island in New York.
An experimental short film by Derek Jarman the depicts the crush of flesh at an art-world event.
Experimental short overlays footage of buildings and fields with that of a spiral galaxy.
Stolen Apples for Karen Blixen is a three-minute black and white film which begins with a portrait of Karen Blixen taken from a photograph.
The Art of Mirrors is an abstract film made in 1973 by director, Derek Jarman. The film, shot in super 8 features figures moving in the foreground and background of an empty space holding mirrors which occasionally flash in the lens of the camera. The images portrayed in the film are reminiscent of Jarman's Abstract Landscape paintings of the same period. In his diary Jarman wrote of this film, 'this is only something that could only be done on a Super 8 camera, with it's built in meters and effects.' The film's title was reworked in the script for 'Dr Dee The Art Of Mirrors and The Summoning Of Angels' in 1975.
A silent avant-garde experience created by Derek Jarman, filled with superimposed images forming a whole picture. His palette consists mostly of reddish random images of Egypt and the pyramids; a strange garden destroyed from time to time by a man with a whip; a young peaceful man relaxing on the floor; other smoking and eating insects. This is Jarman's view of the Garden of Luxor and its mysteries. (IMDb)
An experimental short film by Derek Jarman enlivens urban surrounding with the presence of a human being.
A dramatised historical account of the rise and fall of Urbain Grandier, a 17th-century Roman Catholic priest accused of witchcraft following alleged demonic possessions of sexually repressed nuns.
Short film made on Bankside featuring, as the electric fairy, a "young man with curly blonde hair, a star on his forehead and stars on his tunic, headphones, jewels and carmine lips".
A silent short movie, is a literal journey that we can experience. We are being taken to Avebury and given the chance to admire it for 10 minutes. The shots are incredibly beautiful, as we see a huge stone or trees bathed in orange light of sunset.
An experimental film by Derek Jarman that captures the decay of an urban environment.
A documentary record of the 1968 ballet by Frederick Ashton, performed by The Royal Ballet at the Royal Opera House.
A man is under arrest by an inquisition. While he's judged and sentenced, he comes to terms with his sinful past. The video is the first of several collaborations between the band and experimental director Derek Jarman.
Released in 1992, 'The Complete Picture' amalgamates The Smiths and their journey on film.
