Diana Dumbravă
Bucharest, 2009. Twenty years after Romanian Revolution, Tavi Ionescu, a nice but quite immature guy for his late 30's finds out from his Securitate (Romanian Secret Police) file that he could be the father of a son he didn't know about. Starting his own secret investigation, Tavi is caught by a complicated past that now comes to reveal ugly hidden truths, messing up his life and the life's of the ones close to him. For the first time in his life, Tavi is forced to take really mature decisions.
Cristian Nemescu's comedy unfolds against the backdrop of the Kosovo War, 1999. A NATO train rolls through a Romanian hamlet, transporting a plethora of weapons across the country -- without official documents, and equipped only with the verbal consent of the Romanian authorities. The transport thus grows intensely vulnerable.
Drama documentary reconstructing the life and times of Catherine the Great of Russia.
At an old age, prince Andrei Morudzi retreats to his castle in Romania, during the two world wars, after having lead an eventful youth. There he is seen upon as a rare bird by the local folk, due to his strange attitude towards life and his exquisit manners, which don't fit in the way of life of the villagers. But, in the end, despite trying to distance himself from the local people, he can't but influence their humble existences.
When a child steals candles from the cemetery, in order to provide some light means for his family sheltered into a damp basement of a block of flats, this circumstance can say a lot about the sufferance imposed by transition period of time in Romania. This child is one of the seven that Maria has got. She is a 33 years old ordinary woman, whose husband (Ion) is unemployed and has become a drunkard and violently acting, maybe because of his despairing and lack of prospective.
Andrei Blaier's film catches the last days of The Stone Cross a low class brothels area that became some kind of an institution in the landscape of Bucharest before the Communist period, doomed to destruction under the new rules of proletarian morals that the Communists were trying to impose. The idea could be the start of a great film, with the prostitution being seen not so much from its destructive and exploitation perspective, but rather as a form of freedom in a time when the whole society was falling under the rule of propaganda, hypocrisy, and repression. In a world due to fall under tyranny for the coming decades prostitution becomes a metaphor of the old more free way of life.
