Didier Sauvegrain

After many years of confrontation, the treasures of Spain and France are empty. In 1721, the regent of France draws up an ambitious plan to inaugurate an era of peace and prosperity that will heal the economies of both nations: his intention is to build a solid network of marriage alliances that will involve four children of very different ages who know nothing of betrayals and power games…

The sequel of Lady Bar follows Jean and Pat opening a match-making resort on a beautiful Thai island while Jean's friend Polo finds himself soul-searching in a buddhist monastry.

I am there. I say nothing. In the lounge, the boxes still opened from our moving in. My father. My mother. Come to comfort me. Her father. Her mother. Incapable to say the words. To put into words what has happened. And outside, the rain. Diluvian. Improbable.

Jean-Pierre is a hit man in Paris. He wants to stop; an incentive is reconnecting to Michelle, a childhood friend. He's ready to commit himself to her, but she has her own secrets: she sells bomb components to thugs. He hears rumors of a missing briefcase, which he finds in Michelle's flat. He asks no questions, and soon both of them are in trouble with Jean-Pierre's ex-employer and with her bomb buyers. Two other characters complicate the maneuvering: Jean-Pierre's best friend, who's always losing money on the ponies, and the ex-employer's new contract killer, a seemingly fragile woman. Is there any way that Jean-Pierre can protect Michelle and escape with his life? Written by

The film is about the French film industry from 1942 to 1944 during the Nazi occupation. The film focuses on assistant director and resistance fighter Jean Devaivre and screenwriter Jean Aurenche. Aurenche is on the move so that he doesn't have to write anything collaborationist. Devaivre is in dangerous political activity. Devaivre also works for the German production company Continental where he is respected. On the other hand, Aurenche's scriptwriting doesn't help how he lives and he is a womanizer which causes him to procrastinate.

The struggle of Victor Schœlcher for the abolition of slavery in the French colonies.

Gilbert, affecté à l'incinération des vieux billets à la Banque de France, vit avec sa femme, Gisèle, et son jeune fils, Thomas. Quelques années auparavant, il avait formé un groupe de rock avec Serge et le frère de Gisèle, Marc. Ceux-ci, abusant de sa naïveté, lui font croire qu'il s'est fait voler une mallette contenant un million et que par sa faute, Marc est en danger de mort. L'objectif est de forcer Gilbert à mettre son incinérateur en panne pour faciliter le cambriolage de la banque. Gilbert refuse d'abord, puis cède. Mais il découvre qu'il a été floué. Pour se venger, il prévient la police de la date et de l'heure du cambriolage

On 2 January 1899, starting from the French Sudan, a French column under the command of the captains Voulet and Chanoine is sent against the black Sultan Rabah in what is now the Cameroon. Those captains and their African mercenary troops destroy and kill everything they find on their path. The French authorities try to stop them sending orders and a second troop but the captains kill the emissaries who reach them. Sarraounia, queen of the Aznas, have heard about the exactions. Clever in war tactics and in witchcraft, she decides to resist and stop those mad men.

Good dope is becoming rare in the North of Paris. Drugstores are being raided by junkies and gangs are nervous, fighting each others: the 'Viets', the 'Blackies', the 'Arabs', the neo-nazis 'Justiciers' and some mean gays. Vincent (Daniel Auteuil) is the good cop coming from Marseilles where he was a gangster. He's a soft method guy but also kicks assses hard and throw lethal dialog lines when needed. With the precious help of 'l'Arbalète'* (Marisa Berenson**), a tox' prostitute ex-member of Vincent's former gang, he will try to put order in that mess. There's also a violent and racist cop (Marcel Bozzuffi), Algeria veteran with hard methods, whose role could be more than to protect and to serve.

A French drama

The "black robe" in the title of this suspense film belongs to a female lawyer, Florence Nat (Annie Girardot) who has just lost a case in which she defended Simon Risler (Claude Brasseur), a man wrongly accused of murder. Risler escapes before he can be put in prison, and seeks help from attorney Nat in finding the real killer, partly by going after the police inspector who framed him in the first place. A retired surgeon, in the process of setting up a drug rehab clinic gets involved in solving Risler's case, and soon the solution seems to be pointing to high-ranking figures with every desire and ample means to keep the truth well-hidden.

A woman on the brink of middle age becomes bored and takes up playing cards. She becomes hooked on gambling and begins to neglect her husband and children.

Grégoire Lecomte, the unlucky actor anxious to find a "real job", goes to take a screen test for a role of a killer, but gets to mafiosi by mistake. He takes their don for a producer, and they mistake him for a hitman with whom they had an appointment. Deluded Lecomte signs contract with them. He is supposed to kill gun dealer Otto Krampe at his birthday party in Saint-Tropez by piercing him with a cap of the umbrella with a built-in syringe with potassium cyanide. Lecomte is not aware that it has to be a real murder.

Informative but not dramatically charged, this fictional documentary looks at an incident in 1976 when a group of dissidents were forcibly exiled to an island hotel in order to keep them silenced during the visit of King Carlos of Spain to France. This pseudo-documentary features a Canadian filmmaker who is looking into the group of dissidents. He interviews them to get the story of what happened recorded for posterity. Among the group was another man of Spanish ancestry who suddenly arrived on the island but managed to find a way out. His future exploits are brought into question since there are certain terrorist connotations to his character.

The film's plot is based on the Kennedy assassination and subsequent investigation. The film begins with the assassination of President Marc Jarry, who is about to be inaugurated for a second six-year term of office. Henri Volney, state attorney and member of the commission charged with investigating the assassination (based on the Warren Commission) refuses to agree to the commission's final findings. The film portrays the initial controversy about this, as well as Volney and his staff's reopening of the investigation.

French diplomat Dominique Auphal is put under surveillance by an unnamed secret service. They wish to find a weakness in his life in order to control him politically. Auphal becomes "File no. 51": his private life is spied, analysed and commented.

France, 1975. Jean, an exiled Spanish Communist, is a successful screenwriter who, after a tragic event, struggles with his political commitment, his love for his country, under the boot of General Franco, whose death he and his comrades have waited for years, and his complicated relationship with his son. (A sequel to “The War Is Over,” 1966.)

The furniture factory in which all the young guys in this film work is also full of older workers who make fun of their long hair, which for them is a badge of their independence. The boss, particularly, thinks long hair on men is dirty. When they refuse to cut their hair, he finds an excuse to fire them. The meaning of long hair is felt particularly deeply for one fellow, a painter, who, when he succumbs to his fathers' pleas that he cut his hair, turns his paintings to the wall and burns himself to death.