Diego Cremonesi
Damián, an 11-year-old boy who is separated from his violent family, is taken to live in a children's home by state intervention. Accompanied by Leandro, a social worker with a personal story similar to his, Damián will have to accept that his previous life is behind him and will not return, but it is still possible to build a new beginning where there is room to not feel so alone.
Víctor, Juan, and Manuel, three petty thugs who work for Roselli, a local mobster, are sent to find the architect of a robbery who escaped with the loot. The task seems simple enough, but they find a twist in their plans, caused by a violent and fatal mistake of theirs. Now, with Roselli breathing down their necks and his attempts to remedy the irreparable, they cause a riot with eccentric and violent characters who cross paths in what was the lair of their initial objective, added to the greed for hot money, experimental drugs and shootings, which will become a grave for three.
It is the golden age of gangs, and one of the darkest times for the police, who are controlled by a group of millionaire commissioners sharing in the illicit businesses of Buenos Aires.
When her son is accused of raping and trying to murder his ex-wife, Alicia embarks on a journey that will change her life forever.
Five strangers wake up locked in a strange building. They don't know who took them there or for what purpose. Throughout a night they will discover with surprise that an invasion is taking place outside that complex. And this motley group of strangers, for a reason they will have to figure out, are the ones chosen to try to stop it.
Pistolero is a fiction that in a certain way is an essay on violence. The story follows the criminal raid of Isidoro Mendoza and his brother Claudio in the rural Argentina during Ongania’s dictatorship, and how the violence of his criminal deeds begins to leave a mark in them. A teacher from Buenos Aires arrives to Isidoro’s life, and love is the possibility to open himself to a new life, but even as he tries, he can not escape the entropy generated by his own drives and actions.
Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.
Clara receives the world prize for children's literature. To find some peace, she moves with her family to the countryside.
A young man with charisma and magnetism enters the atmosphere of tropical music as a romantic singer and undertakes a vertiginous ascent to fame.
Ely is 17 years old. After school, she works few hours at a pet shop. When Ely learns that she is pregnant, her inner world explodes even though she tries to go on with her daily routine as if nothing was different. She is afraid and upset, and she knows that, whatever she decides to do, there is no turning back.
An ex-cop entered a prison as convicted under a false identity in order to infiltrate within a group of prisoners that has just kidnapped the teenage daughter of an important national judge.
Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.
Juan is a family man; he feels at ease with his life and his work, and with his wife and two children. Everything seems to indicate that the summer holidays in Aguas Verdes are going to be a pleasant time. An unexpected element, however, triggers Juan's mental imbalance.
