Dixie Dunbar
A young husband becomes a game-show participant in the hopes of winning the cash to pay his pregnant wife's doctor.
Roger Grant, a classical violinist, disappoints his family and teacher when he organizes a jazz band, but he and the band become successful. Roger falls in love with his singer Stella, but his reluctance to lose her leads him to thwart her efforts to become a solo star. When the World War separates them in 1917, Stella marries Roger's best friend Charlie. Roger comes home after the war and an important concert at Carnegie Hall brings the corners of the romantic triangle together.
Rebecca's Uncle Harry leaves her with Aunt Miranda who forbids her to associate with show people. But neighbor Anthony Kent is a talent scout who secretly set it up for her to broadcast.
Five closely knit showgirls sign a pact to reunite one year after the closing of their Broadway production, but the lives of all five take many different turns, often for the worse.
The big Barber College competition between rivals Clipton and Beardsley is coming up and everything is on the line for professor and coach Kapouris. But thanks to a secret depilatory he developed, Clipton has the edge.
In this lively campus-set musical comedy, a budding entrepreneur nearly loses everything after his get-rich quick scheme to earn money selling "flunk" insurance his fellow students goes terribly awry. The plan was to sell the insurance for fifty cents a shot. In exchange, any policy-holder who flunks a test will get a ten dollar settlement. At first the young fresh fellow makes a mint, but then a particularly strict professor sees fit to flunk an entire class, all of whom are insured. Keep a sharp eye peeled for a young Alan Ladd in a bit part.
This late entry in the popular "The Jones Family" series of '30s comedies has the family contending with a troublesome (and possibly crooked) uncle while trying to cut household expenses.
American theatrical manager (Menjou) discovers Henie preparing for the Olympics in Switzerland and brings her to Madison Square Garden.
Actor Lee Tracy presides as ringmaster over a show that combines the best elements of cinema with the circus, what he calls a Cinema Circus. Tracy introduces a number of professional circus acts, plus a cavalcade of movie stars who have side shows under the open air big tent. There is as much action in the audience as Tracy identifies a number of movie stars watching the proceedings incognito, having their own fun in the stands, and sometimes interacting with the circus acts.
Rival advertising firms compete for a radio show's pickle manufacturing account.
Bessie and Winston "Slug" Winters are married coaches whose mission is to whip their college football team into shape. Just in time, they discover a hillbilly farmhand and his sister. But the hillbilly farmhand's ability to throw melons enables him to become their star passing ace.
When a couple become parents for the first time, they discover grandmothers can be almost as demanding as a newborn.
Warner Baxter plays the ambitious producer of a burlesque show who rises to the big time on Broadway. Alice Faye is the loyal burleycue singer who helps make Baxter a success. His head turned by sudden fame, Baxter falls under the spell of a society woman (Mona Barrie) who has theatrical aspirations of her own. She marries Baxter, then convinces him to produce a string of "artistic" plays rather than his extravagant musical revues. The plays are flops, and the woman haughtily divorces Baxter. Faithful Alice Faye, who'd gone to London when her ex-beau was married, returns to the penniless Baxter. She and her burlesque buddies team up to pull Baxter out of his rut and put him on top again.
The Jones family goes to a convention traveling in a trailer. The oldest daughter gets involved with a convict, the oldest son has a love affair, and the youngest son gets into photography.
When a busybody teacher in a girls' finishing school finds a love letter from a student to an unknown man, a minor scandal erupts.
The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).
Jones family romp with father trying to convince son to follow him as a druggist, rather than becoming a pilot, until the son's piloting skills come in handy.
Mercenary Donovan is hired to kidnap Prince Peter. He learns in jail that the party in power is evil and that the Prince is in danger, so he escapes in order to put Peter back on the throne.
Opening with a credit line that reads "Entire production conceived, created and directed by George White," a film evolves where the only plot line is a thin backstage romance between Jimmy Martin and Kitty Donnelly in and around a dozen or more sketches, revues, black-outs and singing and dancing turns. Made before the birth of the production code, reviewers of the day found much to object about in the implications of Alice Faye's "Nasty Man" song with the Meglin Kiddies, and the dog action in the "Your Dog Loves My Dog" number by Vallee, Faye, Jimmy Durante and Dixie Dunbar. The geometric dance arrangements used in the Vallee, Durante and Cliff Edwards "Every Day Is Father's Day" was not cause for Busby Berkeley to lose any sleep.
