Do Thi Hai Yen
Saigon, early 2000s. Photography student Vu has just arrived from Vietnam's backwaters and is immediately attracted to his handsome roommate Thang, who works odd jobs as a bouncer and low-level drug dealer. Entranced by the nocturnal rhythms of Thang's world, Vu follows him around the city where he meets Van, a ballet-cum-exotic dancer and Thang's sometimes-girlfriend.
Set in the Mekong Delta of Vietnam, the film tells a story of Mr. Vo and his children. Vo, enraged by his wife’s infidelity, burns down his house and all his memories of the past.
Adrift begins with the wedding of Duyen and Hai. Duyen is a beautiful tourist guide and translator who marries Hai, a taxi driver who is two years her junior. Duyen thinks the marriage will make her happy but it turns out more difficult, especially since her childlike husband is uninterested in her efforts of intimacy and the marriage remains unconsummated. Cam, secretly in love with Duyen, is bitter about the marriage. Cam has Duyen deliver a letter to Tho, a handsome lothario and tourist guide who physically hurls himself on Duyen when she visits his home to deliver the letter. After Tho reports back to Cam that Duyen is sexually inexperienced, Cam diabolically persuades Duyen to take a temporary job as a translator on one of Tho’s beach tours, knowing what will happen. Duyen's time at the beach with Tho results in an affair leading to Duyen's sexual awakening but continued uncertainty about herself, marriage, and life.
Set in a breath-taking primitive landscape in the mountainous provinces of Vietnam, the film tells the story of a Hmong tribe girl named Pao. She was raised by her stepmother, for her real mother left her when she was little. One day, her stepmother dies in an accident, and she begins to track down her birth mother. But her journey turns out to disclose an unsealed sentimental drama of the family in the past.
A stylish political thriller where love and war collide in Southeast Asia. Set in early 1950s Vietnam, a young American becomes entangled in a dangerous love triangle when he falls for the beautiful mistress of a British journalist. As war is waged around them, these three only sink deeper into a world of drugs, passion, and betrayal where nothing is as it seems.
Hanoi comes across almost picture-perfect in director Tran Anh Hung's beautiful, elegiac tale about the lives and loves of three Vietnamese sisters. A mood characteristic of Hung's films is set early on with the vivid sounds of birds, insects and water and the way the lighting enhances the subtle use of color. They all combine to gem-like effect here.
