Dominik Graf
As a 16-year-old girl, Christina experienced her great love - with 39-year-old Jakob. When he died in an accident, he left an irrevocable gap in her life. Twenty years later, young Patrick rescues Christina from a thunderstorm. From the beginning, he reminds her of Jacob, from his friendly and confident nature to his characteristic gestures. The two become lovers. Christina is happy with Patrick, in whom she sees more and more the Jacob she has found again. But the more the two men become one person for Christina, the more irritated Patrick becomes. When he begins to see more than coincidence in their encounter, Christina has disappeared.
In 1920s Berlin, Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. As her career begins to blossom, prospects for his future begin to wane.
A woman goes through a weekend full of ups and downs after a shocking diagnose, according to which she has less than a year left to live.
A documentary about german cinema from 1960 to 1990. It follows "Verfluchte Liebe deutscher Film".
It's his last chance to get back on his feet. And so Philipp Keyser knows no scruples as he approaches the young painter Alma, to find a lost painting, which is in the possession of a mysterious old man. Too late, Philip is clear that he expires more and more the young woman. In the main roles of Dominik Graf's film "In the evening of all days" Friedrich Mücke and the great theater actor and narrator Ernst Jacobi are to be experienced.
In the 1970s, the Munich Group set about revolutionizing German film with low budgets and an excess of creativity. The Bungalow bar next to the Türkendolch theater was their meeting place, who were inspired by the French New Wave and New Hollywood. Munich Group star Iris Berben takes us on a journey back through time, a wild trip full of film clips and interviews with major figures of an unforgettable era.
A documentary directed by Dominik Graf and Johannes F. Sievert.
A breathless criminal hunt, which leads into the remote mountain world of Romania, with the portrait of a foreign country, which has remained standing in time. Hanna Landauer and Sven Schröder are part of a special unit of the LKA, which traps fugitives across the borders to the remotest corners of the world.
Documentary about German film critic Michael Althen.
A documentary on the 1973 Sam Fuller film Dead Pigeon on Beethoven Street.
An overview of the interconnecting relationship between the most important TV award in Germany, the Grimme-Preis, and the town Marl where it is handed out once a year.
A love triangle forms between post-Enlightenment writer Friedrich Schiller and two sisters -- one who became his wife, and the other, his biographer.
Eleven years ago, an 8-year-old girl disappeared from a small German town on the German-Czech border. Although her body was never found, nor were there any traces of blood or DNA evidence, a mentally-disabled man was coerced to confess to the crime. Even though he withdrew his admission of guilt two days later, the forced confession was enough to convince the ruling judge. The responsible investigator Altendorf was discharged so that the investigation could be sped along by another colleague.
Im Angesicht des Verbrechens is a German television series about the Russian mafia in Berlin. It received high critical acclaim, but the viewer figures were disappointing. It was broadcast by ARTE and Das Erste.
Thirteen German directors present short films exploring the state of their country.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
1818 in the Münsterland: Innumerable pilgrims seeking comfort and consolation visit the bedside of Anna Katharina von Emmerich, a nun whose body bears marks of the holy wounds of Christ on her chest, forehead and hands. Clemens von Brentano, an artist in his prime, visits the nun′s sickbed as a simple "writer of the wonders of God" to take down her visions and beliefs. He believes himself to be in charge of his life as a devout Catholic. The former rake′s encounter with the charismatic nun proves fateful, however. For both of them.
A coming-of-age story set in Germany in the 1960s. Siggi becomes involved in a love triangle when he falls for Luise, but the tightening political climate forces him to make a fateful decision.
A rebellious young woman is thrown out by her wealthy, but marbly parents and gets into a nightmare of poverty, prostitution and sickness.
Hotte, a Berlin-based pimp with only modest turnovers, suddenly becomes a big player in the prostitution business. He has three girls on the streets: Rosa is in love with Hotte and is working hard for him. Jenny, the new girl, is an unconventional prostitute but nevertheless much sought-after by her clients. And the third girl, Yvonne, also brings in a large turn-out. So, Hotte’s proceeds are more than sufficient to buy expensive accessoires and to boost his reputation with the other pimps. But when Yvonne quits her job and Jenny starts to work for another pimp, Hotte’s rise comes to a sudden end
Katrin and Jürgen spend their holidays in Corsica. Katrin is in her mid-thirties, working as a tracer at Jürgen's company who suddenly remembers he's married -- but not with Kathrin. So they decide to end their vacation earlier than they had planned. Virtually a second before they start to drive back to the airport, Katrin takes her belongings out of Jürgens car again and lets him go. Now being alone for the remaining days of her vacation, Katrin finds herself more and more bewildered by the things that happened to her.
Dominik Graf relocates the story of the same name by Henry James from the 19th century to the year 2001.
Andreas Brandt is the head of the research department in a pharmaceutical company. He earns enough to build a future with his wife Monica and his daughter Eva. But a merger puts his position in jeopardy. Brandt randomly observes Larssen, who’s responsible for the merger, raping the waitress Vanessa. Instead of helping her, he takes a file which has previously been stolen by Larssen. It contains incriminating evidence against Larssen. Brandt tries to blackmail Larssen, but Larssen is capable to shift the buck back to Brandt. Slowly Brandt’s family becomes involved...
Josef Bertholt is head of operations of the Munich Police's drug squad. When his wife Lily is the victim of a hit by drug dealers, he becomes even more obsessed with his work.
Confectioner Mauritz is shot at close range. His wife, Thai woman Sita, whom he met two years ago through a marriage institute, is frightened and barely speaks German. Her five-year-old daughter, who she brought into the marriage, is also silent. The searches lead Commissioners Batic and Leitmayr to the Flügel Agency, that specialises in the placement of women with small children. Batic registers as an alleged customer with the institute.
Simon, the leader of a police special unit, becomes caught up in a complex scheme involving bribery and money-laundering, as well as an affair with the beautiful wife of a government official investigating organized crime and political corruption. After the official is kidnapped, the chase leads to a dramatic conclusion high in the Bavarian Alps.
Jojo (Peter Lohmeyer) was counting on his inheritance from a rich uncle to pay off his gambling debts, but the old man played a dirty trick on him, giving him custody of an oversized dog, and leaving the real cash in the hands of one of his neices. His comfortable fantasy of future solvency has been sorely tried; to restore it, he begins to try wooing his cousin Kathrin (the woman with the loot). However, as things progress, he finds himself actually falling for her, which is perhaps the only really decent thing that he's done in his adult life. When he and a gambling buddy take Kathrin (Anica Dobra) on a jaunt to the south of France, things get pretty dicey when a corrupt cop comes onto the scene. In this romantic thriller, only one will survive.
Schimanski investigates a murder case and the rivalry of two furniture enterprises. Everyone seems to be involved nobody speaks the truth.
A young woman who works in a bookstore has been terrified by nightmares about having committed suicide in a past lifetime, combined with a sense of déjà vu regarding a specific apartment building. When she meets a young man who works in an optical company, whether she knows it or not, she is that much closer to the truth about her visions.
The three daughters of the Dessau merchant Sellmann move with their father to Prague in 1936, where he accepted a position as director of the Böhmische Landesbank. For the three different women begins a new life, which accompanies the film over a period of ten years.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF 2 in Austria and SF1 in Switzerland. The first episode was broadcast on November 29, 1970. The opening sequence for the series has remained the same throughout the decades, which remains highly unusual for any such long-running TV series up to date. Each of the regional TV channels which together form ARD, plus ORF and SF, produces its own episodes, starring its own police inspector, some of which, like the discontinued Schimanski, have become cultural icons. The show appears on DasErste and ORF 2 on Sundays at 8:15 p.m. and currently about 30 episodes are made per year. As of March 2013, 865 episodes in total have been produced. Tatort is currently being broadcast in the United States on the MHz Worldview channel under the name Scene of the Crime.
