Doru Ana
Inspired by a true story, the film presents a TV reporter's journalistic investigation into alleged American "flying prisons" in Romania. Through a combination of circumstances, following a mysterious File 631, Dinu (Iosif Paștina) discovers a leak from a NATO base in Romania. The news event stirs, provokes, tempts various media, top politicians, services, both internal and external, causing both hilarious and absurd dramas in a black comedy. The journalistic endeavour of the "newly" turned investigative reporter is a tough, not easy, test to preserve his professional dignity, but also his character, noting the duplicity, the moral volatility, the lack of measure of a world that relentlessly continues its course.
Adrian, a man from a provincial town, has decided to start a new life as a monk. The mayor, the policeman and the leader of the Christian Youth Association accompany their friend on his way to the monastery.
Romania, 1968. Two very different brothers. Mihai is a secret police informant, Emil is a dedicated dissident. When they have the opportunity to have their ailing father’s eyes operated on in East Germany, the three set out on a moving odyssey.
In a small village close to the mountains, Mariana and Puiu are a young family with two children: Carmen and Mircea. One morning, the mother and the ten year-old daughter leave for Bucharest, having a hospital as their destination. One doctor alone, Sitaru, believes that Carmen, who can no longer smile, stands any chances at survival. He believes he can perform a miracle and save Carmen's life. Struggling for her daughter, abandoned by almost everybody she trusted, Mariana discovers she is pregnant. After dr. Sitaru operates on the little girl, in a risky manner, Carmen begins to feel increasingly worse. Without any hope, Mariana leaves the hospital and rushes to take Carmen home: while one life ends, another one begins to flicker.
A drama centered on the friendship between two young women who grew up in the same orphanage; one has found refuge at a convent in Romania and refuses to leave with her friend, who now lives in Germany.
Security guard Aurel (Andi Vasluianu) and his wife Irene have a moderately happy marriage and a moderately comfortable lifestyle in urban Romania. Irene takes a working trip to Cairo and returns invigorated with the swell of success. She sets out again and never returns. What follows is both predictable and unpredictable. Aurel, and the audience, are suspicious of the official explanation of her death so the foundation is laid for the traditional who-dunnit. Aurel proceeds on an emotional search against all odds.
In a small village of Communist-era Romania a young couple wish to marry, but Joseph Stalin dies the night prior to their wedding ceremony forcing the bride and groom to marry in silence.
How far can one person go to try and reclaim what they have lost? In a country town, Emil (Cosmin Selesi) becomes unemployed when the factory where he worked closes. After his wife loses her job as well, the two decide to travel to Australia; drawbacks, however, start even before they board a plane.
Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.
Mr. Lazarescu is a retired Romanian engineer, spending his time in the company of his cats and booze. When he starts feeling unusually ill, he first seeks painkillers from his neighbors. It soon becomes apparent that Lazarescu is indeed sick, and an ambulance arrives with a nurse who has a few ideas about what could be the problem. However, a major traffic accident and poor organization leaves little room in Romanian hospitals for the fading Lazarescu.
"Occident" is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories - a weeklong in the film - that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.
A young man from Constanța who has his own business aims to expand, but he doesn't have the resources.
The level of disinterest in personal affairs has become so cynical in Bucharest that people cheer even an inept army and police manhunt. Meanwhile, Mitu and Elena get to know each other in the course of a vodka drinking contest and discover that they are both dissatisfied with the status quo. Mitu is about to begin military service and Elena is to be married to a man she does not love. They decide they are meant for each other and plan on a different future, one that is on a collision course with the authorities, and start a mad affair.
In this light-hearted fantasy, a talented young magician stumbles across an unusual ring and ends up in Camelot before King Arthur. It turns out the ring belongs to none other than Merlin.
A medic is hunted by guilt of killing a man in a car accident, a cop who staged an experiment of placing a dummy on the side of the road and a dead man found found on the side of the road.
Three youngsters are sent to "re-education through labor" on a hydro dam construction site. They prove in the end to fare much better than some of their colleagues.
A Romanian village in the 50s. Năiţă Lucean, a cunning and stubborn peasant, opposes the collectivization process using all possible artifice. He instinctively feels that signing his land and cattle over to the state can only bring bad times for him. His only certainty is the ownership of this insufficient and barren plot of land. Although he strongly opposes it, the idea of the collective good is forcibly enforced.
