Douglas Buck
Severin Films chief David Gregory and House Of Psychotic Women author Kier-La Janisse query a global roster of more than 60 horror writers, directors and scholars that include Eli Roth, Joe Dante, Mark Hartley, Mick Garris, Ernest Dickerson, Joko Anwar, Ramsey Campbell, David DeCoteau, Kim Newman, Jovanka Vuckovic, Luigi Cozzi, Tom Savini, Jenn Wexler, Larry Fessenden, Richard Stanley, Brian Trenchard-Smith, Brian Yuzna, Gary Sherman, Rebekah McKendry and Peter Strickland in a candid discussion of the very best portmanteaus in fright film/TV history. The film leads us from the very first examples of the anthology film in early cinema, right up to the present day - without forgetting of course the endearing impact that the likes of Vincent Price and Peter Cushing had in creating some of the most memorable classic films ever made.
The story of the insane scandals related to the remake of “Island of Dr. Moreau” —originally a novel by H. G. Wells—, which was brought to the big screen in 1996. How director Richard Stanley spent four years developing the project just to find an abrupt end to his work while leading actor Marlon Brando pulled the strings in the shadows. Now for the first time, the living key players recount what really happened and why it all went so spectacularly wrong.
A darkly poetic fable that begins with a little girl drawing figures of people with chalk on the cement of a playground. She takes notice of an unusual crack in the pavement that is seeping a mysterious black fluid, which she follows to an ominous building. Inside, she encounters several bizarre phenomena, including walls that bleed black and tentacles that emerge from the ceiling to touch her. She then witnesses the birth of five terrifying supernatural beings that threaten the existence of her world.
Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and impulsively decides to sneak inside. But there in the dark, decrepit auditorium, a show unlike any other unfolds before her eyes. Its host is an eerie human puppet named Peg Poett who will introduce Penny to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees cross paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people's memories gets her fix through the vitreous fluid of her victims' eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep.
A short promotional film for the 2010 Oldenburg Film Festival consisting of various actors and film personalities telling a joke about an exceptionally talented frog.
Five friends return home from a marriage in Canada to the United States. Not far from the border, two customs officers stop them to check their identity.
The local sheriff of Dead River, Maine, thought he had killed them off ten years ago -- a primitive, cave-dwelling tribe of cannibalistic savages. But somehow the clan survived. To breed. To hunt. To kill and eat. And now the peaceful residents of this isolated town are fighting for their lives...
A plague wipes out all the adults on the planet, leaving behind only children and a select few who are immune.
Three narratives ("Cutting Moments," "Home" and "Prologue") combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called "ordinary" households.
TROMA crew are the only folks capable of stopping a crazed hermaphrodite from continuing its violent rampage!
Acting as both pseudo-sequel to, and remake of, Cutting Moments, Buck's follow-up changes the focus from the matriarch to the father... or, more fittingly, the many fathers... and the sins they pass down. Eschews explicit violence for a more psychological approach, to a no less harrowing result.
In the center of a monotonous suburban existence, Sarah lives silently and in subservience to her icy husband Patrick. They have been together far too long, and Patrick's affections for his wife have all but vanished. Instead, his sexual urges are tempting him to lust after their own son. Realizing how far gone her husband is, Sarah undertakes drastic, shockingly sickening measures to salvage some sense of her life and purge her years of festering resentment.
A darkly humorous black and white tale of a young boy, unable to fit in, finally realizing his calling while watching animals killing each other on nature documentaries. Raw non-sync early effort, interesting as an early and funny example of Buck's forays into continuing themes of painful isolation, suburban disassociation and the inherent violence that can follow.
Feature-length behind-the-scenes documentary for Larry Fessenden's 2006 feature film, THE LAST WINTER.
At a school for troubled youths on an isolated island, a strange and horrifying viral outbreak results in an escalating conflict between the children and the adults.
