Dragan Jovičić
Alena is preparing for an important journey. Her family and co-workers do not want her to leave.
Two guys from Sarajevo have a megalomaniac idea to restore destroyed cable car that was once used during 1984 Winter Olympics. A pretty female student suddenly enters their lives.
At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.
The plot of this film is set in an idyllic village in the middle of Bosnia, connected with outer world only with a tunnel. Story begins in 1996, when refugees in a police escort come close to their, due to war abandoned, homeland and a tunnel - their only connection with the world.
A tale of dirty filmmakers' job, constructed in the form of collage consisting of authentic events, movie document, while also being an experiment. In the movie, real writer Radoslav Pavlovic and film director Dusan Sabo play themselves as other people, and others as themselves. They're trying to make a film about Kosovo... Cinema observed as parallel life. At the same time, it is homage to French New Wave classic "Breathless" by Jean-Luc Godard.
