Eamon Harrington
NOT CAROL examines the scourge of postpartum psychosis through the tragic prism of the Carol Coronado murder case. In a judicial system riddled with archaic laws and chronic misunderstanding, Carol's story shines a light on a public health epidemic that is enormous in scale and no one is talking about.
JOHNNY STRANGE: BORN TO FLY tells the extraordinary story of a 23 year old American adventurer, through candid interviews with his family, friends and Johnny himself, along with 100's of hours from Johnny's private video archive. The film asks the question what does it truly mean to be alive, and to what extent a young man's passion to seek the ultimate thrill was actually the most lethal form of addiction.
For the first time in over a decade, Erik Menendez opens up with his most in-depth interview to date in "The Menendez Murders: Erik Tells All," a new documentary series that re-examines one of the most fascinating true crime tragedies of the past century through the lens of one of the convicted killers.
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
George H.W. Bush only lost his re-election bid in 1992 because a peculiar independent candidate from Texas, Ross Perot, drew more voters away from Bush than from Democratic candidate Bill Clinton. It’s one of the most enduring myths in U.S. presidential election history. Perot ran a quirky “outsider” campaign that in many ways presaged the Donald Trump phenomenon of 2016. It all amounted to one of the most successful third-party bids in U.S. history; Perot won 19 percent of the popular vote. But, no, Perot did not cost Bush the election, as “The Perot Myth” — a film from FiveThirtyEight and ESPN Films, directed by John Watkin and Eamon Harrington — makes clear.
