Edith Volkmann
A successful, womanizing middle-aged man decides to move out of the house he shares with his wife after she confesses to having an affair. He looks for a new place to live and ends up moving into his wife's lover's apartment as a roommate. The husband begins to take an interest in the artistic work of the lover and coaches him for a big job interview. Little does he know that the job he's helping the lover to get is within his own company... A story about strange circumstances and the limits of friendship.
Hartmann, a first-time film director is trying to find an actor for the Role of Casanova. Wenn he meets Alfred Edel, the actor's colourful personality spoils Hartmann's vision of a glorious Casanova epic. In the end, the director realizes that all the time he wanted to make this movie to please his mother, so he decides instead to join Edel's way of having fun.
Thomas is the son of a prison warden. He falls for and seduces Martin, who is older and one of the prison inmates. After Martin is released, They try to build a relationship and a life together but, no one will leave them alone.
The story of the young man Peter, who grew up during the economic miracle, bereft of parental care and love. Learning early on that interpersonal relationships are based on the principles of exchange or purchase, he abides by these rules and gives generous presents to his family and his wife Erika. But when he is unable to keep up this life-style, his story takes a horrendous turn ...
Martin is 25 years old and very reserved about work. Together with his buddy Henry, he lives in their Schwabing apartment in the day. But everything changes when he falls in love with the attractive Barbara and observed a slump: For when he gives up the police report, the officials themselves suspect him of the crime. In addition, he still owes a text to the hit producer Viktor Block. Suddenly Martin is up to his ears in chaos.
A strange case baffles the police and the citizens of a German small town. A two-year old girl has disappeared. There are suspects, innocents, guilty ones and a web of lies. It's saturday afternoon, and Achim's parents are invited for a topping-out ceremony. The neighbour's daughter, Monika (Renate Roland), is the babysitter for Achim (Sascha Urchs) and his little sister Kathrin, but Monika doesn't take the job too serious. She'd rather go for a ride with her boyfriend. Through a unforeseen row of circumstances, Achim becomes the murderer of his sister, and hides the body in a wrecked car on the scrapyard. When the parents return home, a frantic search for the little child begins. Only the father (Sieghardt Rupp) seems to know the truth…
A sociohistorical drama about the construction of the Simplon-tunnel: A conflict develops when German workers want to strike and fight for better working conditions while Italian workers simply want to earn money and provide for their families.
Germany in 1949: The residents of the Thuringian village Hunsdorf are still heavily influenced by archaic superstition and explain unusual events with preternatural powers. The same happens when pigs again and again disappear from different farmyards. The village residents firmly believe that witches are the reason for this mystery. Not even police detective Kühlemann who is sent to Hunsdorf is able to dissuade them from their superstition. Thus, the farmers think his investigation is aimless and they do not support him at all. With a lot of patience and well-made arguments he finally convinces little Peter that there are no witches. Next, Peter’s grandfather and teacher Marianne take Kühlemann’s side. With their support, the police detective eventually finds out the truth and is able to put a stop to the gang of crooks that had been stealing the pigs.
Berlin, seven years after WWII. Four women are looking for happiness and a good man in the divided city. Their destinies are loosely connected through one person: the West Berlin dandy and womanizer, Conny. Released at the peak of East German cultural and political dogmatism, the film was heavily critiqued, especially by female party leaders who objected that its portrayal of the four women did not represent the qualities that characterized women in the new society. Now considered as a richly contradictory work, Destinies of Women represents an encore production by the Dudow/Eisler/Brecht creative team that also made Kuhle Wampe in 1932.
Berlin in 1878: Corinna Schmidt, who was brought up in a petit-bourgeois, academic family, is romantically interested in Leopold Treibel, the son of the lordly councillor of commerce Jenny Treibel – although Corinna is also deeply in love with her cousin Marcel. Leopold is also falling for cute Corinna, and Jenny Treibel tries to prevent their friendship by all means, but changes her opinion when their secret engagement becomes public. To avoid a scandal, she urges them to marry quickly. But Corinna soon withdraws from this complicated situation and again turns to her cousin, who is banished from the country for his social democratic beliefs.
