Eduardo Mello

The success of the Sex Delícia franchise takes Alice on a trip around the world, visiting various countries in non-stop work. With no time to spare for her home and family, her husband João assumes the role of housekeeper, taking care of their children Paulinho and Clarinha. Tired of all the hustle, Alice decides to retire and give the command of her business to her mother. However, the arrival of Leona, a young competitor, forces her to a change of plans.

Ney and Marcos share an apartment, the passion for music and for the same girl until time tears them apart. A few years later they meet again reviewing their attitudes, emotions and memories.

The social lives of four coming-of-age sisters are shaken when they discover they are moving - to another neighborhood.

Alice owns a network of sex shops and workaholic who, in trying to reconcile the harsh routine of work and family life, suffers nervous breakdown, she is forced by her husband to go to spa. Precisely at this time, appears unique opportunity to expand its business in New York. Using fun gimmicks, risks his health, leaves spa party there with family to ride, but actually in order to facilitate their professional interests. In trying to reconcile the agendas, engage in hilarious situations and mistakes that culminate in the possible separation of the couple.

A Favorita is a telenovela, first broadcast in Brazil at Rede Globo from June 2, 2008 to January 17, 2009. A Favorita storylines examine two friends, Donatela and Flora, who became rivals. One of them committed a crime and is lying, so there are two versions of the same story. The series was originally screened as six episodes per week, from Monday to Saturday, with an average running time of one hour. Created by writer João Emanuel Carneiro, A Favorita has remained significant in terms of Globo's success and audience share, and also in Brazilian television drama history, tackling many controversial and taboo issues previously unseen on mainstream television in Brazil. It made history for being the first telenovela where the public did not know who was the villain and who was telling the truth.