Edward Lachman
A tenacious attorney uncovers a dark secret that connects a growing number of unexplained deaths to one of the world's largest corporations. In the process, he risks everything — his future, his family, and his own life — to expose the truth.
A program featuring director Sofia Coppola, actors Kirsten Dunst and Josh Hartnett, and cinematographer Ed Lachman looking back at The Virgin Suicides nearly 20 years on.
Life in boxes, objects as a form of memory. Two-time Oscar nominee Edward Lachman shows us the loft in New York where he lives surrounded by boxes.
The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they're one in the same, and the vast amount of territory he's covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early '90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don't Blink is Israel's like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
Wiener-Dog tells several stories featuring people who find their life inspired or changed by one particular dachshund, who seems to be spreading a certain kind of comfort and joy. Man’s best friend starts out teaching a young boy some contorted life lessons before being taken in by a compassionate vet tech named Dawn Wiener. Dawn reunites with someone from her past and sets off on a road trip picking up some depressed mariachis along the way. Wiener-Dog then encounters a floundering film professor, as well as an embittered elderly woman and her needy granddaughter—all longing for something more.
"If buildings could talk, what would they say about us?" CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world's most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.
Hope, the third film in the PARADISE TRILOGY, tells the story of the 13-year-old Melanie. While her mother (Teresa) travels to Kenya, Melanie spends her holiday in the Austrian countryside at a strict diet camp for overweight teenagers. Under the supervision of a tattooed trainer and a creepy doctor, the teenagers attempt to do sports during the day and secretly get drunk in the evening. Between physical education and nutrition counseling, pillow fights and her first cigarette, Melanie falls in love with the doctor who is 40 years her senior.
Filmed in 1993 but never completed due to River Phoenix's death, Dark Blood tells the story of Boy, a young widower living on a nuclear testing site in the desert. Boy is waiting for the end of the world and carves Katchina dolls that supposedly contain magical powers. Boy's solitude is interrupted when a Hollywood jet-set couple who are travelling across the desert become stranded after their car breaks down. The couple are rescued by Boy, who then holds them prisoner because of his desire for the woman and his ambition to create a better world with her.
Second film in Ulrich Seidl's Paradise trilogy. A devout Catholic woman practises her religion at home and in the local community, but is unprepared for the reappearance of her estranged husband, who is a Muslim.
On the beaches of Kenya they're known as "Sugar Mamas" -- European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise. She goes from one Beach Boy to the next, from one disappointment to the next and finally she must recognize: On the beaches of Kenya love is a business.
Mildred Pierce depicts an overprotective, self-sacrificing mother during the Great Depression who finds herself separated from her husband, opening a restaurant of her own and falling in love with a man, all the while trying to earn her spoiled, narcissistic daughter's love and respect.
Director Claudia Muller follows the career of conceptual artist Jenny Holzer in this documentary that's as illuminating as her trademark LED displays. For over 30 years, Holzer has used a variety of unusual backdrops for her text installations.
It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
Friends, family, and lovers struggle to find love, forgiveness, and meaning in an almost war-torn world riddled with comedy and pathos. Follows Solondz's film Happiness (1998).
From the acclaimed director of American Movie, the documentary follows former Los Angeles police officer turned independent reporter Michael Ruppert. He recounts his career as a radical thinker and spells out his apocalyptic vision of the future, spanning the crises in economics, energy, environment and more.
Six actors portray six personas of music legend Bob Dylan in scenes depicting various stages of his life, chronicling his rise from unknown folksinger to international icon and revealing how Dylan constantly reinvented himself.
A nurse from the Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life..
A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court
In 1950s Connecticut, a housewife faces a marital crisis and mounting racial tensions in the outside world.
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.
Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. Nelson causes her to miss out on taking the test and later that day she tracks him down. One thing leads to another and Nelson ends up living with her through a November that will change his life forever.
A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins -- with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up.
The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.
In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.
Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930's. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the 50's. As the second generation become adults in the 60's, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.
Debbie and Gerald's lives drastically change after they get a gun. Their mysterious neighbor, Skippy, becomes an important and transforming figure in their lives.
A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use him for deliveries worry about his mental well-being and his effectiveness at his job. Meanwhile someone is killing women in apparently drug-related incidents.
For want of a nail a shoe was lost, for want of a shoe... a young man's life is almost lost, which is exactly what this film is all about: a man barely twenty who wants desperately to pull out of London's drug world by taking a job as a waiter in a 'normal' restaurant. But to do this he must come up with a "sensible" pair of shoes, an item that his homeless meanderings hasn't provided him.
An Indian family is expelled from Uganda when Idi Amin takes power. They move to Mississippi and time passes. The Indian daughter falls in love with a black man, and the respective families have to come to terms with it.
Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.
This music special is dedicated to dispelling the prejudices associated with the HIV infection and raising money for AIDS research and relief. Some of today's most celebrated recording artists performing their interpretations of the classic songs of Cole Porter.
An anthology film consisting of four shorts with the central theme being life in the United States.
A college freshman returns to Los Angeles for the holidays at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.
A regular day in a Louisiana sugarcane plantation changes course when a local white farmer is shot in self defense. A group of old, black men takes a courageous step by coming forward en masse to take responsibility for the killing of a white racist, whom one of their members has shot. As the sheriff confronts the suspects, the young plantation owner stands alone in her daring defense of this group of men, provoking racial tension that makes a compelling drama.
A reclusive scientist builds a robot that looks exactly like him to go on a long term space mission. Since the scientist seems to lack all human emotion he is unable to program them into his android and an eccentric woman is hired to "educate" the robot on human behavior. In the end she falls in love ... but is the robot or the Dr. Mr Right?
We follow the daily activities of Mother Teresa and her nuns, in service to the poor of India and the world. Mother Teresa attends to the basic needs of her nuns and the poor, while at the same time, balances her role as world-recognized leader. Throughout the film, we witness personal and "behind-the-scenes" events, including the blessing ceremony of a nun becoming part of Mother Teresa's "Sisters of the Poor" convent.
Tim Donovan, a juvenile probation officer for the city of Boston, is assigned the case of Nikki, a troubled teenage girl who's been arrested for harassment. Tim quickly falls under the attractive Nikki's spell, convinced her delinquency is deep-rooted and sets out to uncover the truth.
A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.
German director Wim Wenders made this documentary in which he tries to explore the Tokyo that was depicted in the films of Yasujiro Ozu. When Wenders visits Tokyo for the first time, he finds a very different city, one with a booming fascination with technology that often clashes with the traditional elements of Japanese culture. Wenders also interviews Ozu's cinematographer, Yuharu Atsuta, and Chishu Ryu, an actor who frequently collaborated with Ozu.
Roberta is a bored suburban housewife who is fascinated with a woman, Susan, she only knows about by reading messages to and from her in the personals section of the newspaper. This fascination reaches a peak when an ad with the headline "Desperately Seeking Susan" proposes a rendezvous. Roberta goes too, and in a series of events involving amnesia and mistaken identity, steps into Susan's life.
“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.
Reverend Huie Rogers is a preacher at the Bible Way Church of Our Lord Jesus Christ in Brooklyn. He is the topic of this short film, during which launches into an epic call-and-response denunciation of human hubris, greed, corruption and failure. The use of lengthy shots present it less like a sermon and more a performance, and induce an almost trance-like state.
A father learns the importance of education and gains an understanding of his son and an insight into his dreams and ambitions.
A 1950s accountant (Dennis Lipscomb) with a restless wife (Deborah Harry) grows paranoid after hiding a milk thief's corpse next door.
Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.
Werner Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave.
Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.
A documentary short examining the language and performance of auctioneering, filmed at the World Livestock Auctioneer Championship in Pennsylvania.
Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.
A previously isolated Appalachian region is infiltrated by seven travelers, who seek to create a Utopian community with the residents. A television documentary crew films the fraught interactions.
