Elisabeth Volkmann
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
Since childhood Peter Schlönzke dreams of a career as a TV presenter. His great role model is Heinz Wäscher, who is always looking for talented young entertainers for his popular show. Peters mother announces her shy boy for an audition, which, although mercilessly goes wrong, but brings him a job as a cable helper. He meets the popular entertainer from the unlikely side: as a bus scrapper who despises his audience. When Peter stumbles into the limelight by chance, he has a unique chance - as successor to scrubber.
Geierwally is a musical comedy and a parody of traditional movies with regional background, especially the classic story of Geierwally.
In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.
The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert's family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song "Lili Marleen."
Two dumb blokes are searching for the illegitimate sons of an old captain. But it soon turns out, that the sons are daughters...
Two young men want to get into an all-girls photo studio to see the scads of beautiful young nude women inside, so they decide to pose as women themselves.
Village elders attempting to upgrade their village status to 'Marktgemeinde' - which for some unexplained reason would resolve their financial difficulties. To achieve this they need to increase the number of village inhabitants...
At a girls boarding school, a beautiful blonde orphan is possessed by an evil demon.
A bunch of high school graduates practice love with their classmates who have a lot of experience, because they spend their free time as escort ladies and therefore earn a lot of money.
Vittorio pretends to be gay so he can chaperone a rich man's daughter on vacation in Germany. Unfortunately his driver really is gay and Vittorio has a problem.
A Russian official and his three female coworkers are mistaken for a pimp and his three prostitutes.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape, pedophilia, satanic rituals, virgin sacrifice and golden showers. Despite how it sounds, these acts are played for silly comedy rather than any harsh depictions.
Die Klosterschulerinnen (released in the U.S. as "Sex Life In A Convent"), the 1972 Eberhard Schroder German nunsploitation religious nun Catholic sexploitation thriller ("Little Girls with BIG Ideas") starring Doris Arden, Sascha Hehn, Josef Moosholzer, Ulrich Beiger, and Elisabeth Volkmann
Reporters reveal intolerable conditions in Munich's St. Martin Hospital. The nurses are underpaid and overworked, and have sex with doctors and patients.
"A vivid, exciting look at the lives of vulnerable young girls who are hustled into the promised land of professional glamour"
On the advice of a friend, Claude, married to the charming Isabelle and father of two, decided to transform his library, hardly flourishing, into a sex shop. This change of activity proves to be very lucrative and sharpens his desire to spice up his married life through various erotic experiences. Claude asks his wife to share with him the audacity he dreams of. Soon, the household meets a dentist and his wife and is engaged, without much success, to new discoveries. Isabelle, full of good will, tries to follow her husband ...
One of the many German "report" sexploitation films from the early 1970s, with the only distinction that it focuses on female apprentices instead of schoolgirls.
Workers of a journey company state about guys and females who pass their vacation time just by sexual enjoyment, which is shown overly thorough and commented on.
The starting point of the plot is a Men's club, which serves both as a meeting place as well as an alibi by unfaithful husbands. Interspersed between the sex scenes are reporters' questions on alleged passersby about marital fidelity and infidelity.
Typical german sexploitation flick featuring several episodes of young men getting in trouble with the ladies and/or getting it on.
Josefine is a young streetwalker in Vienna at the turn of the 20th century. She manages to sleep her way to the top by marrying a British aristocrat, and she delights in telling ribald stories of her sordid past to moralistic prudes.
Some guys try to locate a evil guy's secret diamond mine somewhere in Thailand.
