Elliot Silverstein

How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

Police detective Jack Flinder is already in trouble with the rest of his force for imprisoning a corrupt partner, but now he has a new problem to deal with. Another officer has been murdered in a hotel room, where he was with a prostitute named Lisa, who managed to escape with her life. Flinder has to track down Lisa to find out what happened, but the answer proves the corruption in his department runs much deeper than he had initially believed.

Three women plot to catch wealthy husbands by throwing a party at a mansion to which they have temporary access. Obvious love stories follow involving an ex-ballplayer, a secretly wealthy mechanic and an ad exec.

A young man is beaten to death. Now it's believed that he sought out sanctuary in the house of a man (Hughes), and that the man threw him out. And it's also believed that the boy being Hispanic was probably part of a gang and that the whole thing was gang related, so the police don't consider any need to investigate the incident. But a teacher (Kelly) doesn't believe this, and sets out to find out what happened that night by talking to the man, but he doesn't want to talk about it.

Sadistic low-budget thriller about newlyweds Dack Rambo and Rebecca Danna Smith who are pursued and terrorized by a pair of rural killer rapists.

A group of young drifters kidnap wealthy businessman Roc Delmonico just for kicks. They keep him captive, demanding a ransom for his safe release. However there is no one - wife, Mafia associates or mother - willing to part with the $200,000 ransom. Demonico is dismayed that no one appears unduly concerned about his fate and joins forces with the kidnappers to plot his revenge, blackmailing his once nearest and dearest into parting with $3,000,000 in hush money.

Kraft Suspense Theatre is an American anthology series that was telecast from 1963 to 1965 on NBC. Sponsored by Kraft Foods, it was seen three weeks out of every four and was pre-empted for Perry Como's Kraft Music Hall specials once monthly. Como's production company, Roncom Films, also produced Kraft Suspense Theatre. Writer, editor, critic and radio playwright Anthony Boucher served as consultant on the series. Later syndicated under the title Crisis, it was one of the few suspense series telecast in color at the time. While most of NBC's shows were in color then, all-color network line-ups did not become the norm until the 1966-67 season.

A woman recording artist with a past tries to shake off a gangster syndicate.

While headed home, a Confederate soldier meets an anguished woman at the end of the Civil War.

The Westerner is an American Western series that aired on NBC from September to December 1960. Created by Sam Peckinpah, the series was produced by Four Star Television. The Westerner stars Brian Keith as Dave Blassingame and features John Dehner as semi-regular Burgundy Smith.

Black Saddle is an American Western television series starring Peter Breck that aired 44 episodes on ABC from January 10, 1959 to May 6, 1960. The half-hour program was produced by Dick Powell's Four Star Television, and the original pilot was an episode of CBS's Dick Powell's Zane Grey Theater, with Chris Alcaide portraying the principal character, Clay Culhane. For syndicated reruns, Black Saddle was combined with three other Western series from the same company, Law of the Plainsman starring Michael Ansara, Johnny Ringo starring Don Durant and Mark Goddard, and the critically acclaimed creation of Sam Peckinpah, The Westerner with Brian Keith, under the umbrella title, The Westerners, with new hosting sequences by Keenan Wynn.