Elzette Maarschalk
I am Luna van Wyk. A 14 year old girl. This is the story of Mignon "Mossie" Van Wyk, my older sister. Oh and her best friend Adriaan Prinsloo, who I think she should marry. But that's just me. For some weird reason Mossie falls in love with older guys - enter Leon Rossouw - obviously without a shirt. This is a story about love, naturally, but it's more about being a teenager and how rough life can be. It's a story about monsters and running shoes. About letting go and holding on. About friendship. It's a story about my sister and how she learns to fly.
Based upon the book written by South African author Leon van Nierop, and the 1980s TV series it spawned, this drama focuses on the mysterious disappearance of celebrated writer Jacques Rynhard (Armand Aucamp), and the investigative hunt for him launched by journalist Carina Human (DonnaLee Roberts). Christia Visser, Rolanda Marais and Jacques Bessenger co-star.
1981. Apartheid is taking a heavy toll on South Africa. Townships are burning, and on the border with Angola, a war is raging. Young men are called up to military duty right after school, and sent to battle the "Rooi Gevaar" the threat of communist oppression. Paul is one of those boys. He is smart, handsome, and ambitious, with dreams of becoming a medical doctor one day. The story starts during the summer holiday, after Paul has matriculated. He is determined to enjoy these few weeks before he has to report to the military. In January, Paul leaves for the Army, basic training,and finally, the war on the border. During a skirmish with the enemy, Paul is seriously wounded. He gets sent home, and everything is in jeopardy. Can Paul put together the very broken pieces of his life?
Helena Joubert lost herself somewhere between her Varsity love, the big, crazy wedding, and her two hyperactive kids. She and hubby Gustav exchanged their passionate relationship for a permanent seize-fire. The once uninhibited and vibrant journalist is now just a few fading photographs on the wall. And then, her world is shattered when Gustav apparently starts an affair with the very big investor who just might be the savior of his company – Elzaan Mostert. Enter Helena’s alter ego, the can-do, let’s-make-a-plan, nothing-is-impossible younger version of herself. Alter Ego comes up with the idea of starting a blog called Alles wat Mal is (Everything Crazy), documenting Helena’s hectic life, and her quest to win back Gustav’s affection, and put a spark back into her marriage.
Len van Jaarsveld used to be on the top of his game. As one of the country’s leading music producers he had it all: the stars, the hits, the connections and the. But it all came crashing down: his wife left him, his bands abandoned him, the creditors moved in and he found himself on the street with nothing. As he’s about to hit rock bottom Len is introduced to a rising new star Robbie de Wee. A shy young man with an amazing natural talent, this youngster has success written all over him. Len sees this kid as a ticket back into the music industry and he’s determined to make him a star. He takes Robbie on, organizing tours, publicity, music videos and helps Robbie climb the ladder to stardom while rediscovering his own formidable business talents. But when a young girl is found dead in the singer’s hotel room, Len goes into overdrive to protect his star from the media and the authorities.
Arsenaal is a South African, Afrikaans-language thriller drama television series created, written and directed by Jan Scholtz and produced by his production company Scholtz Films which is set against the backdrop of investigative journalism, corrupt security companies and corrupt police.
Die Vierde Kabinet revolves around corruption in the police and the Organised Crime Unit, the hated internal investigation unit of the police who set traps for and spy on other police units to try and uncover corrupt members. The same corrupt police attempt to turn the tables by trying to find information about who is in this specialised unit. In 1993, shortly before the first democratic election in South Africa, a group of policemen rushed to get rid of files containing information about illegal police operations. The files were placed in filing cabinets, taken to a secret place and destroyed with explosives. But in the atmosphere of panic and disorder a cabinet - the so-called "fourth cabinet" - got lost and was forgotten. In 1997, Bonnie Badenhorst (Vanessa Pike), a policewoman attached to the special police unit investigating corruption, discovers the cabinet. Badenhorst, whose brother died in Angola, decides to remove the cabinet and hide it without informing her colleagues.
Fanette, a bisexual stripper from the upper-class, seduces rich men and then blackmail them. Behind a one-way mirror in the room where they have sex is her partner-in-crime who videotapes the deeds.
Torings (Towers) is a South African period drama television series created by Paul C. Venter as a sequel to his series Konings which continues to tell the story of the fierce and often bloody struggle between the Groenewald and Roodt families for control of the Superspaar company, placed in the context of the larger political post-Apartheid struggle in South Africa. The Konings/Torings saga is the story of the fierce and often bloody struggle between Dolf Groenewald (Dawid Minnaar) and Herman Roodt (Albert Maritz) for control of the Superspaar company, placed in the context of the larger political post-Apartheid struggle in South Africa. The eternal feud between the Groenewalds and Roodts becomes fiercer as Dolf recovers from his stroke and from the beginning is a threat for the Roodts
The story is about Poenie (Franscois Coertze) who burns his scrotum with a welding iron while working on his car and lands in hospital a few days before he is to marry the virgin Martie. This is the first mishap in a series of disasters and misunderstandings that provides many belly-clutching laughs. As Poenie's father Frikadel (Zak du Plessis) puts it, "Die seun sit sy voet uit die voordeur uit en dan is hy kniediep in die kak!"
A Gentle story with a moral of forgive and forget at the kernel of its’ comedy exterior ~ but also one that accurately foretold the changes that were to sweep across South Africa in 1994, as an uptight suburban Johannesburg housewife (Elize Cawood, with an equally uptight husband played by Marius Weyers) accepts a lift from a Sowetan taxi driver (Patrick Shai) and gets taken into another world entirely
