Eman Xor Oña
Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey - in the tradition of the Latin ballad, the bolero - brings heartache and torment.
In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.
When the troubled son of an NGO worker refuses to take a test and announces that he is not leaving his room, his concerned mother asks one of her clients, a Cuban exile, for help in setting the boy straight. Gonzalo has decided to drop out of school, and his mother Ana isn't sure how to convince the boy that he's making a crucial mistake. Ana's client Carlos is a Cuban exile who makes his living selling cigars and artwork on the black market. When Carlos learns of Ana's dilemma, he calls on recently released convict Mikel to teach the boy how to play chess. Perhaps is young Gonzalo can master the game, he can learn to start living again. As the lessons get underway, each of these characters learns that in order to truly move on with their lives they much first break free of the bonds that prevent them from being who they really are.
