Emer McCourt
A re-cut version of the 1999 debut feature from writer/director Justin Kerrigan which focuses on one wild weekend in Cardiff. A group of five friends escape the drab mundanity of daily existence and sample a hedonistic cocktail of drugs, clubs and sex. Jip (John Simm) is a twenty-something shop worker, Lulu (Lorraine Pilkington) is a full-on clubber, Moff (Danny Dyer) is a chilled-out dope dealer who also happens to be the son of a policeman, whilst Koop (Shaun Parkes) works in a record shop and gets increasingly paranoid that someone will steal his girlfriend Nina (Nicola Reynolds). Together, the five friends move from nightclubs to parties, getting more and more stoned as the night progresses. The soundtrack features club favourites by Fat Boy Slim, Underworld and Primal Scream.
Five twenty-something friends spend a drug-fueled weekend in Cardiff, Wales.
Irish thriller starring Toby Stephens. Belfast of the near future finds the city ruled by two rival law-enforcing punishment squads. When Luke Bradley (Stephens)'s son is found murdered, suspicion falls upon the local preacher (Jim Norton). Taken to Sunset Heights, a druid's circle on a hill overlooking the city, the accused is summarily executed by the boy's father. However, when another child goes missing, it appears that they have killed the wrong man - or that the preacher has come back from the dead to wreak his revenge...
Rachel discovers she is pregnant. Just as she is about to break the news to her stockbroker boyfriend Bill, he dumps her. Heartbroken and angry, Rachel takes Bill's cherished sports car, clears out their joint bank account and heads off to the country and to her dysfunctional family's farmhouse. By trying to sort out her own family's problems Rachel hopes to come to terms with her own predicament. But Bill discovers her whereabouts and is on the warpath.
School leaver Phil moves with his father from inner-city London to the satellite Hertfordshire New Town of Stevenage, where they are promised a brighter future...but all Phil finds there is a bleak, cultural wilderness; a world of unemployment, violence, alcoholism and drug abuse in 90s Britain
Tracey, a hyperactive, inarticulate bicycle courier who unsuccessfully woos his girlfriend, watches Star Trek videos and delivers packages for a women's erotic magazine, "Bad and Beautiful". As the female staff produce their new issue, they are watched by builders restoring their crumbling off ice block - each of them with an interest in the women within.
For want of a nail a shoe was lost, for want of a shoe... a young man's life is almost lost, which is exactly what this film is all about: a man barely twenty who wants desperately to pull out of London's drug world by taking a job as a waiter in a 'normal' restaurant. But to do this he must come up with a "sensible" pair of shoes, an item that his homeless meanderings hasn't provided him.
A domineering,reclusive, and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.
In 1984, a pregnant Irish girl tries to contact her boyfriend in British prison but her letters are not allowed through to him because she writes in Irish.
Shoot to Kill is a four-hour drama documentary reconstruction of the events that led to the 1984–86 Stalker Inquiry into the shooting of six terrorist suspects in Northern Ireland in 1982 by a specialist unit of the Royal Ulster Constabulary (RUC), allegedly without warning (the so-called shoot-to-kill policy); the organised fabrication of false accounts of the events; and the difficulties created for the inquiry team in their investigation.
