Emilie Neumeister

Agnes and Gregor have had a happy marriage for 15 years. No crises, no affairs, no weariness. They looked for each other and found each other, say their friends Conny and Bernhard, who fight a lot and often. If a marriage is harmonious, it is this one. However, when Agnes became socially involved in addition to her job, the distribution of roles in the family, which had worked well for years, was thrown out of balance. The change in their relationship leads Agnes and Gregor into their first major crisis, which neither of them can deal with. They are shocked to find that they are about to lose love.

It's the summer of 1990, two teenagers in Germany fall in love - an innocent first love, shortly before the German reunification. Katja (16) is from West-Berlin, Thorben (17) from GDR. Their families are fighting over a house in Kleinmachnow (a suburb of East-Berlin), where Thorbens family has been living since the 70ies, but where Katjas father grew up. The family had to emigrate to West-Berlin in 1961, just before the Berlin Wall was built. Later, the house was dispossessed under GDR-rule. Now, Katjas father demands restitution. The conflict grows bitterer and threatens to tear apart both families. It is about old wounds and new prejudices. While being in the middle of Germanys swiftly progressing process of reunification, Katja and Thorben have to fight for their love.

6.2/10

A Christmas reunion becomes a gateway to the past in this three-part series that explores the intimate complexities of one family's history.

6.5/10

In love with a girl that smells of oranges while in a complicated relationship with his father, Darek is gentle, strong and devoted to his little sister and their herd of horses. Darek's world is a story about the joy and pain of growing up in the isolated yet beautiful Lusatian Mountains. Here, horses are not expensive specimens of racing stables but beings you should care for and love. Not even that is enough in life though, as Darek finds out nearing the Summer's end, closing his childhood definitely. However, just like any ending, this is a start of something new.

6.2/10

Everything could be so nice between Katrin and Philip, if it were not the love (patchwork) family! Philipp surprises Katrin with a marriage proposal. But the disappointment of her last marriage has not yet been overcome. And promptly, the events turn over. Julia, her ex-husband's new wife, moves in with her unasked and with children. Not only her pointed-tongued ex-mother-in-law Diana, but also Katrin's own mother Renate, come to help. When Philipp takes her by surprise with a spontaneous surprise wedding, Katrin bursts the collar. A marriage now seems a long way off.

5.7/10

Katrin can only dream of a happy family. Because the patchwork constellation with several involuntarily connected families puts their nerves to the test. To kitten the fragile relationship with her 14-year-old daughter Saskia, she has invited all family members to their confirmation. But Saskia has recently moved to her father and his new family, while the son of Katrins new partner Philipp has moved in with them and since then devastated Saskia's room and Katrins life. It is impossible to think of a harmonious everyday life, let alone a peaceful family celebration.

6/10

Beatrice lives with her husband Jonas and their two daughters seemingly idyllic in the countryside. But family life is clouded by their constant self-doubt and the feeling of not being loved. Fearing to lose her family, Beatrice almost destroys her - but is eventually caught by Jonas. A melancholic, sensual narrative about the decay and resurrection of a woman.

Sophie Brand is overwhelmed: as a single mother with two jobs no wonder. A mountain of unpaid traffic tickets takes her to the judge, who buzzes her 300 social hours in a home for the disabled. In addition, he puts her on his own brother: Georg, a dreaded patient in the home, who sits in a wheelchair since an accident and only bitterness for his environment left. But Sophie can not rausekeln. So it happens that something special develops out of initial antipathy: trust, friendship, love. The emotional tragicomedy knows how to implement a supposed taboo subject sensitively.

6.1/10