Enrico Ghezzi
The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?
"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.
The film is a rendition of Resurrection, Tolstoy’s last novel. It begins with a reading of the beginning of the first part in Naples, in September 2012. It moves on to Berlin, Locarno 2013, Oneglia, Paris, Casalborgone, and it ends in Milan with the beginning of the second part. The places and times change, and so do the people doing the reading. But also, in the middle, real people and voices surface, like Adamo Vergine at his home and Jean François Neplaz in Marseilles. The film searches for the possible faces of Tolstoy’s two protagonists in Oneglia, Procida, and Casalborgone.
"Cinema is the first moment in which the world sees itself then we know it is fake, which is a trick [...]. It is a small system, mechanical, banal, simple, corruptible, but it is sufficient to produce a review of the world, we are never interested in doing without living, without loving, we are never interested in making this film for other reasons »
Magnificent obsessions exceed and once again dart the maps to every memory and even the most vague map gives way to Laurel & Hardy.
A deadpan, picaresque buddy comedy about two old friends through a series of urban adventures, loosely connected by the skull of an executed French aristocrat. Winter Song is a typically irreverent Iosselianian jaunt through a classy Paris apartment block contemplating the past, present and future.
“Why did you kill her?” Lou asks Philippe again. The life-odyssey of Joana, a modern-day Moll Flanders, continues as she moves through different times and places, like the stations of a personal via crucis, with occasional leaps into the present. From Paris to Rome and on to São Paulo. The body has lost every value, except the economic one.
We started to make an extra to be included in our first DVD "Democratic Optimism", a collection of short films in black and white we shot between 1990 and 1999.
A couple besieged by boredom discusses the extreme of love and its meaning.
"D. W. Griffith’s 1909 short film A Corner in Wheat, a Biblical tale of avarice, divine retribution, and the prolonged suffering of the masses, is the prelude to this political film essay. Straub-Huillet offer a dialectical montage of cause (capitalist greed) and effect (the poverty of the farmer and the urban underclass), and draw from excerpts of their earlier work: Moses und Aaron, Fortini/Cani, and From the Cloud to the Resistance." - MoMA
Enrico Ghezzi cuts out porn magazines looking for a fake cataloging criteria, while Sergio Grmek Germani, off screen, reads and comments on a pornographic filmography edited by Marco Giusti (published by Italian magazine Filmcritica), correcting errors and underlining his insufficient pornophilia.
