Eric Khoo
Enslaved in a surreal world of living objects, a lamb cutlet does whatever it takes to make ends meet.
A Member of Parliament (MP) of a fishing town turns to a mysterious woman who possesses shamanistic powers in order to salvage his town's dire economic situation. She fixes all his problems and the two soon become lovers. However, the woman has a dark secret that threatens to destroy his life.
Masato is a young ramen chef in Japan. After the sudden death of his emotionally distant father, returns to his birthplace, Singapore.
A single mother and her young son discover a group of dirty and underfed children living in a mansion's attic. Upon saving them and returning them to their families, she has unknowingly snatched these children from their adopted mother - Wewe Gombel - and must now beware her vengeful wrath.
A murder scene writer returns home to attend his father's funeral and begins to experience constant flashbacks of his childhood. He then discovers a secret door in the house that leads to a room that hides a horrifying secret from his family's past.
A Pontianak is awaked when a foreman and a construction worker attempt to bury the body of a dead girl instead of burning her. A series of unfortunate events begin to occur at the construction site.
A journalist meets with Pob, a Thai ghost, who confesses to a murder. Finally finding an outlet for complaint, Pob explains how the murder happened and requests for his story to be published. However, the journalist declines and the two make a deal of a lifetime.
A mother tries to appease the moods and demands of her borderline psychopathic son. When a new girl comes to town, her son falls quickly and deeply for the new girl and is determined to win her over possibly even against her will. When things take a tragic turn, his mother will stop at nothing to make her son happy even if it means finding a bride to join him in the afterlife.
Betrayed by the Dutch colonial forces, Arana manages to escape along with his nephews Jamar and Suwo, the newborn sons of Hamza, one of the last Indonesian sultans fighting against foreign tyranny. In 1860, after wandering for years on the plains of the American Wild West, Arana and the two brothers return to Indonesia to avenge their dead loved ones and punish the evil man who caused their misfortune.
Aiman is a 28-year-old Malay correctional officer who is recently transferred to the territory’s top prison. Aiman lives with his older sister Suhaila in a modest housing estate. At his new workplace, Aiman begins to take an interest in a 65-year-old sergeant named Rahim. Soon, it is revealed that the charismatic Rahim is actually the long-serving chief executioner of the prison. Rahim also takes notice of the principled and diligent Aiman. When Rahim’s assistant suddenly quits, he asks Aiman to become his apprentice. Aiman tells Suhaila of his new job position, but Suhaila becomes upset, as their father was actually executed by Rahim. Aiman knew this all along. Can Aiman overcome his conscience and a haunted past to possibly take over as the next chief executioner?
Five award-winning ASEAN film directors celebrate Southeast Asian art through this collection of short films. As an omnibus of short films, is inspired by the art collection found at the National Gallery Singapore, Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked a masterpiece from the 19th and 20th century as inspiration for their short films.
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.
Southeast Asia Cinema - When the rooster crows is a voice of diversity reaching for change. Brillante Mendoza, Eric Khoo, Garin Nugroho, Pen Ek Ratanaruang give voice to a region rich with traditions, ethnic groups, languages, politics, and religions. It is cinema, at its purest form, fighting for freedom of expression, documenting real lives of ordinary people, giving voice to the underdogs and the outcasts. The amalgamation of these aspects gives birth to an ultra-neo-realistic cinema language currently unique to films from this region.
Struggling to come to terms with the death of her mother, Kim suddenly has to deal with a new mother in her life. Choon, Kim's father, brings home a woman one day and announces his decision to marry her. A series of mysterious and terrifying incidents start to occur at the family home after their return. Could it be the jealous spirit of Choon's dead wife that has come back to show her displeasure at being replaced? Or is there something more sinister? What unravels is a tale of unspeakable evil that threatens to destroy the family. What deep, dark secret is Na, Choon's new wife, hiding from them? Can Kim help save her family from complete destruction?
The film is a collection of one-minute short films created by 60 filmmakers from around the world on the theme of the death of cinema.
En is an 18-year-old who has lost his father to cancer. As his family is drawn together in a sudden tragedy, he has to decide what he believes in. But in a country where ideologies are forged on constantly shifting sands, he struggles to stay true to what he knows to be right. And in a family that prefers to forget, the sandcastles of all he holds dear seem doomed to be washed away by the tides of time.
Macabre, international title for Rumah Dara (Indonesian title), and in Singapore titled Darah) is an Indonesian horror/slasher film in 2010. The movie tells about a group who attempt to escape from a house that owned by mysterious lady named Dara and her family. We later discover the family are killers and cannibals attempting to gain immortality. The film is based on the short film Dara. Before the film was screened in Indonesia, it was screened at several festivals in 2009. Rumah Dara was released in Singapore where it gained an M18 rating (for Gore and Violence)
A brash, irreverent and poetically playful collage of stories about people in Singapore who run away and disappear forever. Two children run away from home and discover an ancient underground network of monsoon drains, tunnels and caves. An army officer obsessed with order and discipline realises that life isnít so black and white. A painfully shy man reluctantly saves his neighbour and experiences a spiritual awakening. Concocted from a heady mix of realism and poetic fantasy, Invisible Children is sometimes funny, sometimes poignant, but always thought-provoking.
In conjunction with the 2nd anniversary of the Day Offcampaign, UNIFEM Film Series is proud to present No Day Off (2006) by Eric Khoo, a 45-minute short film chronicling four years in the life of Siti, a domestic worker in Singapore. Each year, thousands of women like Siti uproot themselves from their homes and families in impoverished villages in Java and Sumatra. They head for Singapore where they live the life of a foreign domestic worker, scrubbing, cooking and looking after children, the sick and the elderly. Their wages go towards making life more comfortable and less bleak for their own families back home.
This program features three digital short films by Asian filmmakers. Singapore veteran filmmaker Eric Khoo's NO DAY OFF (39 min) records the life of a maid who leaves her husband and baby for Singapore. Darezhan Omirbayev's ABOUT LOVE (38 min) is a bitter love story based on Anton Chekhov's novel, in which a lonely math teacher falls in love with her married university classmate. Pen-ek Ratanaruang's TWELVE TWENTY (30 min) depicts the encounters of a man and a woman on a long haul flight, where they spend the next twelve hours and twenty minutes reading, drinking, eating and watching movies and sleeping by each other's side, as if they are a married couple.
"Be with Me" consists of three stories of love vs. solitude: (1) An aging, lonesome shopkeeper doesn't believe in life any more since his wife died. But he is saved from desperation by reading an autobiographical book and meeting its author, a deaf and blind lady of his own age. (2) Fatty, a security guard in his fifties, lives for two things: good food and love for a pretty executive living in his block of flats. But, if it is easy to satisfy his first need winning the heart of the distant belle is a horse of another color. (3) Two teenage schoolgirls get to know each other on the Internet. Soon they fall in love.
A strange film that comprises as much fiction as documentary and actually transcends the genre of the mockumentary, the fake documentary. Its maker Toh Hai Leong (in reality primarily a critic) more or less plays himself as a cult film maker looking for actors for a snuff film. He rattles off monologues about film and all kinds of things. He lives like a hermit in a grubby apartment with his elder brother. They criticise the material and sterile life of Singapore, but do not really make their scruffy alternative very attractive. You could suspect a skilled actor was behind the figure of Toh Hai Leong, but local connoisseurs point out that in reality, he is no different. A confusing supporting role - confusing because of its authenticity - played by Lim Poh Huat, the extra who also performs in the short film in this programme. (GjZ)
Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.
A group of underdogs form an amateur football team to play in a local league. The prize for the winners: a trip to the 2002 World Cup Finals. The team include a common man's hero who raises his two children single-handedly after his wife passes away, an ex-con with major anger management problems, a lounge singer struggling against his deadly nemesis - the karaoke machine, and a tender but tough tomboy. The story is built around the team struggle against the odds from no-hopers to title contenders. Through the game of football, the team learns not just sportsmanship, but life lessons that help them to mature as individuals, and ultimately, help each other to become better human beings.
Liang Po Po: The Movie is a Singaporean film directed by Jack Neo in 1999. It stars the comedian director Jack Neo himself, who cross-dresses as the titular old lady, which in English is translated as "Granny Neo". Liang Po Po, a lovable 85 year old granny, decides to leave the Old Folks Home in search of a new life. Believing that she can still contribute to the good of the society, the determined old lady sets on a path where she soon realizes how her trusting and naïve nature can be used against her.
The film depicts 24 hours in a HDB block of residential flats in Singapore. There are three main storylines. San San, fat, silent, and alone, hears the ghost of her mother constantly upbraid her. Ah Gu, a tofu soup vendor, is at odds with Lily, his materialistic immigrant wife, who longs for something he cannot provide. Meng spouts every moralistic bromide of the striving middle class, but is unhinged by his teenage sister May ("Trixie" to her boyfriend) who won't study, parties all night, and seems doomed by youth culture.
A painfully shy noodle-shop owner and a prostitute have a chance encounter when destiny arrives in the form of a car accident.
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
