Érica Rivas
Inés works as a dubbing actress and sings in a choir in Buenos Aires. After a traumatic experience during a holiday trip, she develops a sleep disorder and starts suffering from very vivid nightmares. At work, the studio microphones pick up strange sounds coming from her body, threatening her career and her singing. Inés becomes paranoid as she has increasing trouble telling what is real from what is not. She begins to entertain a dangerous idea: the characters in her dreams are trying to take over her body.
Tracking the tandem voyages of a mother and daughter into fraught emotional terrain, the latest from Argentine director Paula Hernández (Rain) examines the ways desire and expectation clash when familial pressures push women to their limits.
Three women meet by chance at the end of the world, in Argentinian Patagonia, and set out on a polyamorous journey, caught up in the search for new kinds of relationships, far from possession and pain. They become the Daughters of Fire, a band dedicated to helping those women who look for their own path to erotica.
At a Latin American Presidents’ Summit in Chile where the region’s alliances and geopolitical strategies are shaped, Hernán Blanco, the president of Argentina, lives a political and family drama. Through his son in law, he’s implicated in a corruption case. On her father’s call, Marina Blanco, attends the Summit to find protection, to earn time and to negotiate a way out. That past once calm and domestic, becomes a menacing element, almost fantastic, seen from the top of public life, seen from the Summit.
In this poignant period drama set in 1960s Argentina, a young woman, struggling to raise her twin daughters alone after the tragic death of her husband, accepts the courtship of a charming but mysterious older suitor.
Two siblings on a mission. After their elderly father gets hurt in an accident, they run to his side. He has breaking news about their mother, who abandoned them. He also hid something valuable and now brother and sister must work together.
Sebastian, a locksmith who doesn't believe in committed relationships, learns from his recent girlfriend, Monica, that she's pregnant and he might be the father. At the same time, he discovers a strange power: when he fixes people's locks, he gets a vision into their lives-a sudden flash revealing their feelings. But this unwanted gift starts to complicate his life. After he warns a maid named Daisy that her boyfriend is trouble, she leaves the boyfriend, and Sebastian takes her in. When yet another vision sheds light on his own life, Sebastian is forced to examine his hang-ups, his family, and his relationship with Monica. - Written by Sundance Film Festival
Six short stories that explore the extremities of human behavior involving people in distress.
A couple of thirty-somethings struggling with life, marriage, work, a kid and a new bought house outside the city.
During the wedding party, the bride discovers that her newlywed husband has been cheating on her with one of the guests, and she decides to pay him back.
The night. One night. Perhaps any night anywhere. It rains. A woman. No. A man. A man and a woman. No. A man, a woman and someone else. The table. A table. A table immersed in alcohol, singing, playing music. The music. No, jazz. JAZZ! The seduction, the crossing. Acting, pretend. Laught. The kisses. No. Decline. One night, a woman a man and someone else, on a table. No. The Void.
Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers
A hot summer in a small town. The lives of many characters intertwine as a Preacher comes to town to give them hope.
Eduardo, manager of an insurance company, is under a lot of stress and that's why he runs, especially when he is about to explode. One day, returning from an unsuccessful business trip, he meets a mysterious man at the airport who presents himself as a friend and benefactor and encourages Eduardo to change his life and be free
A romantic holiday has left Inés all alone. She's not at all happy about it.
Casados con Hijos is the Argentine re-make of American television series Married... with Children. It was made in Buenos Aires, Argentina, by Telefe and Sony Pictures, during 2005 and 2006. This television series follows the Argento family and their lives. Main roles were portrayed by famous Argentine actors like Guillermo Francella, Florencia Peña, Darío Lopilato, Luisana Lopilato, Marcelo de Bellis and Érica Rivas. The first season started on April 12. The success of the chapters forced the television broadcast to emit a second season, that started on August 14 in 2006, reaching a measurement of 33,3 points of rating, one of the shipments of fiction with major audience of the year. The series has, in total, 215 episodes. The success of the series trascended the borders of Argentina, being also issued by local channels in Uruguay, Paraguay and Peru. Casados con Hijos earned many awards, like 2005 and 2006 Martín Fierro Awards and Clarín Entertainment Awards in 2005 and 2006.
After the May Revolution, Juan José Castelli has instructions to order the execution of ex-viceroy Santiago de Liniers. That put you at a crossroads with respect to your convictions.
Eduardo Peña and Angel Ruiz are two Spanish actors who are on tour in Argentina. They try to achieve success there with a play that speaks of man and his passage through life, but the spectators are becoming increasingly scarce. One day his old car breaks down and they stop at Zapallares, a lost town. There, on the eve of the municipal elections, they meet an old friend, Professor Roberto Tolosa (Dario Grandinetti), critical of the construction of a new hotel and with the political class of the place and that will try to reopen a theater with the help of their fifth-year students, despite opposition from politicians.
