Erik Canuel
"L'inquiétante absence" is a documentary that examines the current state of genre films in Québec. In an attempt to answer their questions, the filmmakers conducted several interviews with leading figures of Québec's genre cinema from various backgrounds, in addition to meeting with fans at festivals and conventions.
When the girl he likes goes missing, Jake enlists the help of his grandpa and his WWII buddies.
According to the text of Stéphane E.Roy Nine slices of life. Nine stories that intertwine. A satirical comedy. Marc Gauthier, creator of the new "Dare Communic-Action ©" alleged communication guru, offers a new approach. But there will always be a gap between theory and practice ... Between nine earthy situations and absurd misunderstandings, everyone will try to grow up
The film is about a high school tech whiz (Laura Marano), who is determined to become prom queen. But on the big day, she suddenly wakes up having a bad hair day, and her destroyed prom dress, and everything that can go wrong, does go badly wrong. A police officer (Leigh-Allyn Baker) seeks the necklace that the teen somehow ends up possessing. Prom day goes really bad as the pair is pursued by a dogged jewel thief (Christian Campbell) on a wild ride cross around the city.
After his loved ones betray him, a man in his 30s goes to a lakeside cabin to hide from the world. But instead of finding peace, he has to deal with a kooky neighbour, a missing drowned man, a crook on the lam, a stripper who hides out with him, and the cop who’s madly in love with her and looking for her with murderous ardour.
Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.
When the body of the executive of hockey Benoit Brisset is found on the billboard of the border of Quebec and Ontario, the jurisdiction of the crime is shared between the two police forces and detectives David Bouchard from Montreal and Martin Ward from Toronto are assigned to work together. With totally different styles, attitudes and languages.
It is the early 20th century. A stranger arrives in the small, rural community and disrupts the lives of its inhabitants. The man, who refuses to give his name, is dubbed The Outlander. A traveller who disdains conventional behaviour and parochialism, The Outlander disturbs the villagers' complacency and scandalizes the community; he also elicits admiration and gains a woman's love. He ultimately leaves in the same manner he had arrived, but not before he has helped the villagers open their eyes to the larger world beyond their village.
A recently released prisoner reunites his criminal colleagues to pull off one last heist.
During the Christmas holiday season, Félix and Céline find themselves working as volunteers for the drive-home service Opération Nez Rouge. Right from the first, Félix falls for Céline. But Céline doesn't feel the same way: she can't forget the fact that Félix once wrote a scathing review of her first piece of writing, crushing her literary ambitions in the process. Worse, Félix doesn't even remember her name. Céline decides to take her revenge. Just as things seem to be going from bad to worse for Félix, Céline realizes that he is vulnerable, tender... and madly in love with her. She is ready to surrender to love... but a chance encounter causes her to wonder whether Félix isn't playing some twisted love game.
A soldier who was long thought dead in World War 2, returns to modern day New York to combat monsters, who are now the power elite, running the city.
After inheriting a pig farm from their father, sisters Stephane and Betty do their best to keep the family business running. But while the very pregnant Betty is diligent about doing the work that needs to be done, Stephane can focus only on her crippling gambling problem, which has landed her in deep trouble with her creditors. Desperate for cash, she considers a dangerous option for repaying the debt … but will it work?
The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.
