Erik Odom
Newly-fired reporter Sloane Sawyer reluctantly returns to her rural California hometown to investigate the harassment of local vineyard workers and uncorks a tangled web of crime and corruption behind wine country's shiny facade.
Against his wife’s wishes, a troubled screenwriter hops on a plane to make one last-ditch attempt at selling his latest script. When a heavy-drinking, melancholic singer nearly plows him down with her car late one night, the two form a deep emotional bond that alters them both in unanticipated ways. Improvised dialogue and intimate, naturalistic camerawork lend a heart-wrenching authenticity to this bleak and beautiful character study.
Gulf View Drive picks up almost a decade after May and Raleigh part ways in See Rock City to pursue their separate dreams, keeping faith that they will remain connected and come together again. Having met during the early years of WWII in Last Train to Nibroc and endured the struggles of marriage, family, and work against the backdrop of war and uncertainty in See Rock City, May and Raleigh have relocated to Florida, enjoying their dream house and the security their love brings. The year is now 1953, and May is a schoolteacher while Raleigh has found success as a novelist. Their peaceful home is turned upside-down when Raleigh's cheerless mother comes to stay for an indeterminate amount of time. With May's mother and Raleigh's pregnant sister already living with them, the strain becomes both humorous and unbearable. The final part of Arlene Hutton’s Nibroc Trilogy, directed by Katharine Farmer, was captured by Cinevative at the Rubicon Theatre Company in California.
See Rock City opens with May and Raleigh returning to Corbin, Kentucky after plans to honeymoon in Rock City are derailed. The newlyweds settle into small-town life, living with May's parents. May is the local school principal; and Raleigh, discharged from the army for medical reasons, is beginning to find success as a short-story writer. The couple works to make ends meet and find their place in the community under the watchful eyes of May's gentle and supportive mother (Mrs. Gill), and Raleigh's taciturn, judgmental mother (Mrs. Brummett). When victory overseas results in unexpected consequences on the home front, May and Raleigh must confront hidden truths and deal with the challenges of a new, post-war America. The sequel to Arlene Hutton’s Last Train to Nibroc, directed by Katharine Farmer, was captured by Cinevative at the Rubicon Theatre Company in California.
Last Train to Nibroc begins in the winter of 1940 when Raleigh and May are forced to share a seat on a crowded train headed east- an event that changes the path of both of their lives forever. Raleigh, a recently discharged flyboy who dreams of becoming a writer, and May, a young woman set on becoming a missionary, meet and discover that they grew up mere miles from each other in Kentucky. The possibility of romance emerges and the two imagine going to the Nibroc Festival together in May’s hometown. But they are thwarted by their own natures and circumstances. An intimate and charming exploration of human relationships. The first part of Arlene Hutton’s Nibroc Trilogy was captured by Cinevative at the Rubicon Theatre Company in California.
After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.
