Erika Savastani
March 1945 Asolo, Italy. Livia Mazzion, the attractive wife of a top ministry official, slips into the car of lawyer Ugo Oggiano, Livia's admirer and her husband's informer. Livia must reach Venice and her lover Helmut Schultz, a Wermacht lieutenant, as beautiful and accursed as a pagan god, with whom she is having a burning love affair. During the trip she relives the high points of her devastating sexual abandonment gone adrift, one that has shattered her life and her destiny, swallowing her up in the ruinous vortex of a sybaritic and bituminous Venice. The city, in the throes of the final months of the war, is rife with traffickers, officials, nabobs, military brass, sharks and adventurers of every kind. Yet a surprise awaits Livia upon her arrival in Venice, a surprise in which the heroes' own personal defeats interweave with those public, as historical and political events now seek to settle accounts.
A beautiful nun seeks advice from her doctor but little did she know he was about to show her a thing or two.
Passions run wildly amok at Carlo's (Gianni Demartiis) country inn as his wife, Amelia (Fabrizia Flanders), fantasizes about an affair with a guest, while his grandson Gianni (Lindo Damiani) spies on him to learn the secrets of love. And when Carlo's sexy cousin Marilinda (Erika Savastani) comes to stay, everybody sits up and takes notice. Joe D'Amato directs this spicy drama set in the 1920s.
This film is a series of letters, photos and video cassettes which women often send in to certain newspapers. By visualizing their story-telling (the name given by the psychologists to their fantasies) the film portrays the confessions, the secret longings, the adventures, recollections, dreams, desires and fantasies of these women. It is an open secret that most women dream of forbidden affairs, secret lovers and hasty encounters but when it comes down to it they lack the courage to pursue their dreams.
