Erzsi Pásztor
After the death of his father, Szilágyi faces Scruffy, the hairdresser, whom he has been dreaded since he was a child.
Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.
A love story between a young, policeman and a Chinese immigrant girl, who speak no common language.
The story shows Emma's and Böbe's fight for survival, for keeping their position in society which they achieved with hard work in the previous regime. They don't want to lose their place and become village girls again.
In the small village of Rátót, every male is called Béla. When a woman gives birth to her child, she names him Józsi...
In the country reformatory school both the teacher and the children are trapped by the circumstances. From among the pupils excels Sanyi, who cannot accept the fact that his mother does not love him and he keeps on escaping after her. From among the teachers it is Mr. Csőrös who distinguishes himself by listening to the children, looking for those who escaped, Sanyi feels affection to him. On summer holidays he camps out at the riverside with his family, prospecting. The mother of Sanyi slanders Csőrös in front of the boy, therefore Sanyi takes a revenge: he throws the gold collected by the man into the river. As it turns out that the slander had no ground, Sanyi begins to search for gold as well in order to make his error good.
Janos Flandera (Frigyes Funtek) is a student who is kept by an older woman in this depressing drama. When he applies to a prestigious school in Moscow, he is turned down because he is a gigolo. Not only is his scholarship request denied, he is sentenced to a year in prison at hard labor. Janos abandons the jealous older woman who helped deny his entrance to the school. Punished after defending a political prisoner, Janos takes solace in love affairs, but his union with the crippled daughter of a prominent political official puts his life in danger.
The story of a murder out of jealousy. After his release from prison, the perpetrator tells the story of his marriage and tries to understand the reasons for his actions.
This film is a psychological study of a woman who chooses solitude as an escape from the duplicity and emotional barrenness of the men around her.
The Soviet-Hungarian film version of the biography of one of the most talented composers of our time, the classic of the Vienna operetta - Imre Kálmán, known for all his music for operettas "The Csárdás Princess", "Countess Maritza", "The Circus Princess", "The Violet of Montmartre", "Die Bajadere" and many others. The music of Imre Kálmán has no equal in operetta for its festivity, “elegance”, and the refinement of melodics and orchestration.
A young girl from the Siberian province arrives in Moscow for her beloved, whom she met during his business trip. He is a test designer for buses and will be on a business trip to Hungary. It was at this point that Katya set her vacation time. But it seems that they didn’t really wait for her... However, a meeting with László changes all her plans...
Kohán Imre, an adolescent kid under state care, is taken to the school resort house in the Bükk mountains with tuberculosis. He falls in love with Nurse Katica, not much older than him, and she makes friends with this open and sincere boy. Imre also finds friends among his class-mates and gains recognition for his brave behaviour.
Angi Vera, as a promising young woman, gets invited to a Communist training center to undergo the next level of indoctrination into Party life. She begins to realize how people get ahead in the Party: by saying things they don't mean but think are politically correct; by becoming friends with Party dignitaries, even if you don't like them; by being seen as a dedicated worker (as opposed to actually being a dedicated worker).
The characters of this fiction of sociogra-phic accuracy live in the reformatory school for girls in Rákospalota. They are all girls of similar pasts, desires and needs but Juli hates bars more than any of them, trying to make contacts with the world out there in order to leave the school behind forever.
The film condenses the awkwardness of country and functionary existence, consumer thinking based on paternalistic relationships into the sequence of events of 20 August, the feast of the Hungarian new loaf with sentimental irony and documentary credibility. A railwayman's family on the Balaton highlands expects the Budapest relative with his functionary boss and family.
This sour satire records how narrow-minded, perishable and prejudiced human relations are. Lili, an open, good-hearted, but clumsy girl gets a rusty Renault Gordini from her uncle living in France. She wants to learn driving, but makes horrible and perilous mistakes behind the wheel.
On one hot summer night, the residents of a Hungarian apartment house slated for demolition restlessly revisit their haunted pasts as they face an uncertain future. In a gently turning kaleidoscope of dream imagery, regret-laden nostalgia and painstakingly intimate detail, the looming wrecking ball pales in significance to the accumulated experiences each dreamer revisits. Pre-war prejudice, occupying Nazis and Stalinist deprivations all come and go as each tenant’s backward glance yields moments of aching sensuality, infectious exuberance and catastrophic loss.
In this naturalistic satire enriched with burlesque, Boróka, the haircutting artist once cuts a hair so, that the customer has to be shaved bald. Sajtár Dezső wants to kill the barber, who feels to be a victim himself immediately. In his anguish he mixes up his apartment, his wife and everything in the uniform world of the block of flats and like a maniac, tries to find after his pursuer. They find each other at a neurological clinic.
Mrs. Endrényi, an old woman in Old Buda learns that her house is going to be demolished and she is going to get a new apartment. Since she would like her family members to have the same advantage, she takes them in her apartment.
Captain Kovács investigates the case of a taxi driver who was knocked down and later he disappeared without leaving a trace. Responding the call of the police six women present themselves: they all confess to be the fiancée of the driver.
Peti, the young parachutist starts concurring with his fellows during the training sessions: who dares to fall free longer? Orodán, his coach decides that if needed, he would use force to make him give up this perilous rowdiness.
