Eszter Balint
In a small peaceful town, zombies suddenly rise to terrorize the town. Now three bespectacled police officers and a strange Scottish morgue expert must band together to defeat the undead.
Five days in the life of fabled Greenwich Village guitar store Carmine Street Guitars.
An exhausted, workaholic actress, Anna Baskin, 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself.
the connections and energy flow between the various artists populating the 1980s sub-cultures of New York and Berlin. Features Jim Jarmusch, Lydia Lunch, Blixa Bargeld, Alex Hacke, Gudrun Gut, Nick Cave, and others. An important film. Bravo, Mr. Dreher.
A short behind-the-scenes documentary shot by Tom Jarmusch while his brother filmed Stranger Than Paradise (1984).
The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.
Tommy has lost his job, his love and his life. He lives in a small apartment above the Trees Lounge, a bar which he frequents along with a few other regulars without lives. He gets a job driving an ice cream truck and ends up getting involved with the seventeen-year-old niece of his ex-girlfriend. This gets him into serious trouble with her father.
With a serial strangler on the loose, a bookkeeper wanders around town searching for the vigilante group intent on catching the killer.
A waitress (Rosanna Arquette), a barman (David Bowie) and an underwear designer (Eszter Balint) try to rob a New York restaurant where two of them work.
Joe finds that Elaine, his girlfriend has more than enough trouble with the law. He helps her to avoid imprisonment and together with her and his friend Dan heads towards New York City. Instead by police, they are pursued by the chain of natural disasters.
Belgian director Chantal Akerman avoids her usual "real time" technique in Histoires d'Amérique. The anecdotal nature of the subject matter compels Akerman to fragment her narrative, rather than offer it in one, uninterrupted continuum. Still, another Akerman trademark -- permitting the "drama" to emanate from the actors rather than the situations -- is very much in evidence. This informal history of Jewish life over the past 100 years is related in a series of eyewitness accounts, re-created by a group of largely unknown actors. Also known as American Stories, the Belgian/French Histoires d'Amérique began building an audience when it was shown at the Berlin Film Festival.
Alice ends up in the derelict houses of Coney Island and Times Square. She sinks into a wonderland of decadence and despair, into the no-mans-land of lost souls, charlatans, broken dreams and cheap perversions.
Rootless Hungarian émigré Willie, his pal Eddie, and visiting sixteen-year-old cousin Eva always manage to make the least of any situation, whether aimlessly traversing the drab interiors and environs of New York City, Cleveland, or an anonymous Florida suburb.
Starting with a scene from Squat Theatre's "Mr Dead and Mrs Free" shot in their storefront theatre on West 23rd Street, Chelsea, New York, "A Matter of Facts" draws a parallel narrative which follows the characters from the theatre into real life.
