Eugene Jackson
When an evil doctor finds out Uncle Fester has been missing for 25 years, he introduces a fake Fester in an attempt to get the Addams family's money. Wednesday has some doubts about the new uncle Fester, but the fake uncle adapts very well to the strange family.
Two young hitchhikers are picked up a speed-crazed young woman, who tears around the countryside. She leaves them to take the blame for her activities, and they find themselves sentenced to six months in prison. The girl, feeling bad about what she did to them, resolves to break them out of the prison
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.
San Francisco Bay, January 18, 1960. Frank Lee Morris is transferred to Alcatraz, a maximum security prison located on a rocky island. Although no one has ever managed to escape from there, Frank and other inmates begin to carefully prepare an escape plan.
Cleopatra Jones is assigned to crack down on drug trafficking in the United States and abroad. After she burns a Turkish poppy field, the notorious drug lord Mommy is furious at the loss of her supply and vows to destroy her.
Julia is an American sitcom notable for being one of the first weekly series to depict an African American woman in a non-stereotypical role. Previous television series featured African American lead characters, but the characters were usually servants. The show stars actress and singer Diahann Carroll, and ran for 86 episodes on NBC from September 17, 1968 to March 23, 1971. The series was produced by Savannah Productions, Inc., Hanncar Productions, Inc., and 20th Century-Fox Television. During pre-production, the proposed series title was Mama's Man. The series was also unique in that it was among the few situation comedies in the late 1960s that did not use a laugh track; however, 20th Century-Fox Television added them when the series was reissued for syndication and cable rebroadcasts in the late 1980s.
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
Married jewel thieves struggle with infidelity, federal agents and the deadly smallpox virus.
Beverly Ross, the switchboard operator at a local radio station, jumps at the chance to be the DJ for an early morning show before the soldiers at a nearby army camp assemble for reveille. Beverly, with her modern music, camp bulletins and chatter, is a hit with the soldiers. Beverly's younger brother and his two buddies are soldiers at the camp. The buddies vie for Beverly's attentions.
A well meaning Dr. lends his building to a group of neighborhood kids. When the neighbors learn that they are members Harlem tough -kid gang, they suspect that their operation there conducting nefarious deeds.
A teenage horse trainer (Jane Withers) fears she'll lose her beloved horses when the stables where she works is sold.
Myles Vanders feuds with hardnosed stable owner Davis Lockwood. Myles takes revenge by romancing and marrying Lockwood's daughter Linda. But as the big race looms nearer, Myles is distracted to discover that he really loves Linda.
The invention of a machine that can cause remote explosions brings the attention of Scotland Yard and Bulldog Drummond.
An examination of the history of anesthesia, from ancient Egyptian times to contemporary times.
After losing his bid for district attorney, an aspiring young lawyer agrees to defend a ring of car thieves.
An ex-gambler (Barton MacLane) hooks up with an old flame (Ann Sheridan) after his old habit resurfaces and drives off his wife.
Though he fought for the North in the Civil War, John is asked by the Governor of Texas to get rid of some troublesome carpetbaggers. He enlists the help of Holden before learning that Holden too is plundering the local folk.
A wrongfully-imprisoned man becomes determined to find who was responsible for the death of a local sheriff.
A horse with great potential is reluctantly sold by the breeder and by chance passes through multiple hands who do not treat him well.
In 1864 a Secret Service agent for the Union army goes undercover in Richmond and pretends to be a Confederate captain.
When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra must learn to take care of herself and soon becomes prominent in her own right.
Nappus sends his grandson north for schooling to shelter him from their community.
The boys are showing off their dogs to each other when little rich girl Mary Kornman rides by in her pony-drawn cart. When the pony shies and runs away, Mickey comes to the rescue with his dog. In gratitude, Mary invites all the boys and their dogs to her party, much to the chagrin of her wealthy mother.
A feisty little girl, the daughter of a beat cop, faces the challenges of growing up in a tough city neighborhood.
Shootin' Injuns is a 1925 short silent comedy film directed by Robert F. McGowan. It was the 38th Our Gang short subject released.
A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.
Our Gang is a series of American comedy short films about a group of poor neighborhood children and their adventures. Created by comedy producer Hal Roach, the series is noted for showing children behaving in a relatively natural way, as Roach and original director Robert F. McGowan worked to film the unaffected, raw nuances apparent in regular children rather than have them imitate adult acting styles. In addition, Our Gang notably put boys, girls, whites and blacks together as equals, something that "broke new ground," according to film historian Leonard Maltin. That had never been done before in cinema, but has since been repeated after the success of Our Gang. The first production at the Roach studio in 1922 was a series of silent short subjects. When Roach changed distributors from Pathé to Metro-Goldwyn-Mayer in 1927, and converted the series to sound in 1929, the series took off. Production continued at the Roach studio until 1938, when the series was sold to MGM, continuing to produce the comedies until 1944. The Our Gang series includes 220 shorts and one feature film, General Spanky, featuring over forty-one child actors. As MGM retained the rights to the Our Gang trademark following their purchase of the production rights, the 80 Roach-produced "talkies" were syndicated for television under the title The Little Rascals beginning in 1955. Both Roach's The Little Rascals package and MGM's Our Gang package have since remained in syndication, with periodic new productions based on the shorts surfacing over the years, including a 1994 Little Rascals feature film released by Universal Pictures.
