Éva Darlan
Damien and Guillaume Le Guen are brothers and do almost the same job: Damien is a gendarme and Guillaume is a policeman. Damien is called for a body found burnt in a car during a forest fire. This is the body of Baptiste Legendre. Her companion, Tiffany Roche woke up in the middle of the flames. Photographer, she captured clichés of trees on fire. She owes her life only to Târiq Amraoui, a Canadair pilot who spotted her in the middle of the fire. Tiffany does not know what she's doing there and fears having set herself on fire. Shortly after, Guillaume is in charge of an investigation into the death of a man found drowned. The two cases seem related and the two brothers must collaborate.
Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.
Anne-Marie lives an easy life with Gilbert, a rich plastic surgeon: a beautiful house, a doggy, a cleaning lady, expensive furniture, the lot. Not so easy in fact when she thinks twice. She does not get on with her husband any longer. She gets on his nerves and he does not attract her any longer. She feels good only when she jogs on the beach and ... when she is the arms of her lover, Leo. One day, Gilbert gets killed in a car accident. Good news, since she will be able to live with Leo. The trouble is her well-meaning family settle at her villa with a view to supporting the "poor widow" morally. Anne-Marie just cannot admit she is not distressed at all, especially to her son Christophe. She is now even more of a prisoner than when Gilbert was alive...
Not too excited Arthur asks marriage Lola. What should have been a quiet ceremony evolves in something bigger, expensive and overwhelming as family is involved. The organization of the best day of their lives threatens to destroy them.
Aymé Pigrenet, a recently widowed farmer, is eager to find a new wife to help him run his farm. Desperate, he seeks the aid of a local matchmaker who suggest that he go to Romania to find a new wife. There he meets Elena.
Paul and Agnes have been going out for quite a while and Agnes is shocked to learn that he'd rather live with two roommates on campus than move in with her. As soon as he meets one of his roommates, Louis-Anault, Paul's behavior changes - he is attracted to Louis without realizing so himself. Agnes, on the other hand, gets quite jealous and offers a bet: Whoever gets to have Louis-Anault first, wins... If she does, Paul will no longer explore his homosexual desires, if he does - she'll walk away. Meanwhile, Paul meets Mecir, a young Arab worker, who shows him there's more to life than elite colleges...
A woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her.
Crime Scenes is a noirish crime drama about two forensic cops on the trail of serial murderer. Georges Fabian and Jean-Louis Gomez are put on the case when Marie -- the teenaged daughter of a couple who own a roadside cafe -- vanishes the day after the family dog disappears. Georges' schoolteacher wife is expecting their first child, while Jean-Louis' spouse walked out on him days after their daughter left home. The two discover a magazine daubed with Marie's blood in the eatery's lobby, and with the help of a police dog, they discover a canine corpse across the street. Later, when the bodies of a young white woman and a black man are unearthed sans heads and hands, Georges and Jean-Louis think that they have at last found Marie. In fact, they've hit upon a ritual murder similar to a series of killings that baffled the Belgian police in 1993. The two then begin to doggedly gather clues and witnesses.
After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.
Ariel, a young French Jew, decides to leave his family to go to Israel and secretly become an agent of Mossad, the Israeli secret service. After years of training, his first mission is in Paris to steal secrets from Remy Prieur, a French atomic scientist.
A provocative, seemingly absurd patchwork movie which sends a worthwhile message about hope against all odds, love, children and human understanding. Schoolgirl Victorine has an insane mother and an alcoholic father who can never find his way home in their maze of slum apartment blocks. Aggressive, sexually threatening boys of all ages are everywhere, and while the teacher eventually relents to a gang of adolescent rapists, Victorine gives herself to a rowdy gang of older layabouts, eventually winning the heart of burglar Paul.
This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.
Cop's Honor (Parole de Flic) is a 1985 French crime movie directed by José Pinheiro and starring Alain Delon as retired police officer Daniel Pratt. His teenager daughter was killed by a gang of mysterious hooded killers so Pratt began his own investigation to avenge the killers and their backroom leader.
Michel works there manically solving people's problems over the phone. He is about to tie the knot with his girl friend Isabelle, an airline hostess. She flies all over the world, he hates to leave the office. A series of madcap mishaps involving theft or injury (as you would expect in his line of work) ensues after Michel promises Isabelle nothing will delay their marriage and she promises in turn that she's done flying. Once this unlikely promise is made, it becomes premise and both are forced into escalating white lies to maintain the appearance of keeping their word. Their predicament mounts as Isabelle is forced to do a few more flights, while Michel is compelled to travel to New York, Tunisia, and finally Hong Kong, where they are finally reunited in the throes of a contrived and hilarious drug deal involving a 747, water taxi chases, and martial arts.
A normal boy receives a blow to the head which sets him off to perform rebellious acts.
The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.
Rien ne va plus is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe.
Marie is pregnant, but her relationship with her partner Serge is at an end. She decides to abort the child, and then separates from Serge. After a short while she regains contact with her ex-husband, her affection for each other rekindles and Marie decides to continue her pregnancy - although she knows she will continue to be alone.
In this family comedy, Papa (Claude Brasseur) has no end of trouble getting his young son to accept his new girlfriend.
