Éva Igó
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out after curfew. While waiting for the German Kommondant, Jakob overhears a German radio broadcast about Russian troop movements. Returned to the ghetto, the shopkeeper shares his information with a friend and then rumors fly that there is a secret radio within the ghetto.
The movie is set in the actual "Ki Mit Tud?" talent contest in 1962. In reality the contest in dance music category was won by an army brass band. "Omega" which later became one of the most successful Hungarian rock bands came out in the second place.
Middle-aged writer (Kornél Esti) travels to Germany to deliver a lecture. During the long journey he recalls the memories of an other journey he made thirty years ago.
Lajos Kovács (WINGS OF DESIRE) stars as the misused Woyzeck, who ekes out a miserable existence sweeping train tracks, running errands for a bullying army captain and acting as a human guinea pig for a local doctor with ideas about free will. When his common-law wife begins an affair with a local cop, Woyzeck's pocket Bible and near-starvation diet point him on a downward spiral of twisted redemption.
Imre Horváth and his friends gather to celebrate his wife's birthday. They are confused because of the changes in the country's politics and want Horváth to be much more active politically, but he is more concerned about his affair with his best friend's daughter.
Never miss a satire if you'd like to have a wider view of the 60's or 70's (and maybe the 80's) Eastern Europe. Both the regime and behavior of people are pilloried, with many-many hints that show deeper details of the correlation of the two. And the creators didn't miss to have some words about the West and it's part of this history. But don't sit down to see the film if you'd like to have a light funny evening movie, 'cause that will lash up your feelings alright. The director is that same Peter Bacso, who directed the legendary satire 'A tanu' (The witness) which deals with the same historical era, the same relations between politics and the people, just from a little different point of view.
The Hungarian Maria's Day is set in that most fateful of years, 1848. The incredible changes and reverses in European politics and culture exert a potent influence on one aristocratic Hungarian family. Losing virtually everything in the way of creature comforts, the family tries to keep up appearances. Eventually every member of the clan falls victim to illness, syphilis and their own headstrong foolishness. The parallels drawn by director Judith Elek between the dissipation of 19th century Hungarian aristocracy and the corruption of Communist ideology in modern times are inescapable.
Political and sexual repression in Hungary, just after the revolution of 1956. In 1958, the body of Eva Szalanczky, a political journalist, is discovered near the border. Her friend Livia is in hospital with a broken neck; Livia's husband, Donci, is under arrest. In a flashback to the year before, we see what leads up to the tragedy. Eva gets a job as a writer. She meets Livia and is attracted to her. Livia feels much the same, but as a married woman, has doubts and hesitations. In their work, they (and Eva in particular) bang up against the limits of telling political truths; in private, they confront the limits of living out sexual and emotional truth.
In 1947 Dorottya is dismissed from girl school by the nuns for her views.
