Eva Kotamanidou
This is the first film of Theo Angelopoulos' trilogy. The story starts in 1919 with some greek refugees from Odessa arriving somewhere near Thessaloniki. Among these people are two small kids, Alexis and Eleni. Eleni is an orphan and she is also taken care by Alexis' family. The refugees build a small village somewhere near a river and we watch as the kids grow up and fall in love. But difficult times of dictatorship and war are coming...
"A," a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest lies elsewhere--the mythical reels of the very first film shot by the Manakia brothers, who, at the dawn of the age of cinema, tirelessly criss-crossed the Balkans and, without regard for national and ethnic strife, recorded the region's history and customs. Did these primitive, never-developed images really exist?
Donusa is a small island in the Aegean, visited by the mainline ship once a week. One winter day a young German photographer, Stefan, arrives and soon feels strangely attracted to a local girl called Eleni. The stranger’s presence works as a catalyst shedding light on Donusa’s conventions.
Two children search for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries between childhood and adolescence.
Based on some historical events, the film gives a romanticized biography of Theodoros Kolokotronis, a Greek historical hero serving as a metaphor for Greece herself. Based on a circular view of history, the film presents conflicting ideologies - primitive communism, anarchism, chiefdom or kingdom, personality cult - and shows the institutions of property and power in a bad light.
In a poor neighborhood of Athens, Andreas and Eftyhis are struggling to eke out a living. Making the most of the adventurism inspired in them by the post-war era and trying to make a life for themselves against the backdrop of the post-dictatorship conservative regime, the two heroes gradually lose their political conciousness and social identity and are led to ruin.
During a hunting party on New Year's Eve 1976, five representatives of the bourgeoisie encounter with their companion the body of a partisan from the Civil War of the late forties. What they are most confused about is the fact that the corpse that lies at their feet is still bleeding…
This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled "Golfo the Shepherdess," the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra (Eva Kotamanidou) plots revenge on her mother (Aliki Georgouli) for the death of her father, and seeks help from her brother, Orestes (Petros Zarkadis), a young anti-fascist rebel.
