Ewa Dałkowska
A storm causes damage to a bridge that connects the world of the living with the world of the dead. For this reason, the information about Maria’s own death reaches her with delay.
After a particularly embarrassing performance, a struggling Polish actor chooses to quit his acting troupe. In desperation, he returns home, only to find his dying mother has replaced him with a farm hand from a nearby mental institution. Alienated and depressed, he attempts to find his place in the world by driving out his replacement as completely as possible.
Lazowski, an expelled university student, investigates the supposed suicide of the famous artist Witkacy and tries to prove that the artist is in fact still alive.
Using the backdrop of the banality and ordinariness of everyday life in a small provincial town, the film analyses the relationship between two women friends, who struggle to find their way in post-communist Poland. The small events of their lives represent universal feelings of being trapped and lost in a new world, in contrast to the successes of the dark side of democracy - drug dealing, crime and pornography. By its very nature, the film creates a picture of provincial Poland after democracy, but its charm is in the understated relationship between the two friends and the people around them and in the mosaic structure that builds up the film piece by piece.
Multiple recidivist Tadeusz Wilk out of jail thanks to an amnesty. He has no idea where to go and what to do with themselves. Post lays down back behind bars.Wolf meets Celine and tells the woman that she is his mother. Mysterious, strangely behaving stranger arouses more and more anxious new parents
Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...
Young Poland period in Kraków before WWI. Young doctor Edward comes back from Paris and meets his friends belonging to artistic bohema.
A film about the life and activities of the Polish revolutionary Ludwik Waryński. In his memoirs, Ludwik returns to his student years in St. Petersburg, to Warsaw, to Krakow, where he was arrested and put on trial. After the end of the process in Krakow, Waryński leaves for Geneva, where he meets with Russian revolutionaries. In 1881, he returned to his homeland and created the first party of workers in Poland...
The film is set toward the beginning of World War II, at a psychiatric hospital in the country. But this is an unusual hospital: there are several incurable schizophrenic cases, staff is bit strange and a writer has voluntarily entered the clinic because he is "peculiar" and a drug addict. Then, the occupying forces arrive...
The film is set in a small town near Warsaw, to which a young and coming director comes to produce a classic play (Wyspianski "Wyzwolenie") with a modern vein. Everyone in the production gets his usual stereotypical role, but the aging idol of the ensemble senses opportunity to give the performance of his life. For young director everything is already set. The leading man, however, is not giving up and is trying to restore the role according to his view. His wife listens to his fears, complaints and frustrations, while resigning herself to a fading career in a puppet theatre.
A famous Polish journalist presents a problem for the powers-that-be when he displays his full political skill and knowledge on a television show featuring questions and answers on a world conference by a panel of journalists. His enemies take away his privileges when he is away. The shock of being "unwanted" parallels a deeper disappointment in his private life: his wife has an affair with a jealous young rival, and after 15 years of marriage and two daughters wants a divorce. She offers no explanations as he tries to untie these problems himself. All the moves he makes are the wrong ones. He takes on drinking heavily with students eager to attend his seminar after discovering the class has been canceled. The journalist, once suave and commanding is reduced to silence.
In 1931, just before the New Year, in a house of architect Henryk Zaremba scream rips the night. The daughter of Zaremba is found killed in her bedroom, obviously killed with a pickaxe. The police arrives and starts the investigation. Rita Gorgonova, the governess of the girl and also lover of Zaremba becomes the main suspect. Film based on real events - investigation and court trials of the most famous pre-war Polish murder case. Despite being historically accurate the movie is both involving and entertaining since the case was simple on the surface, but very complicated in details.
Nights and Days is a family saga of Barbara Ostrzenska-Niechcic, (played by Jadwiga Baranska) and Bogumil Niechcic, (played by Jerzy Binczycki) against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one. The cinematographic version is a condensation of the 12 part award winning TV serial of the same title and using the same cast and producers.
