Fabio De Luigi
The movie is widely Depends on the characters who are kidnapped and murdered. It is highly thrilling crime and suspense drama genre Movie.
A father left in charge of his three children while mum goes away on a 10-day holiday… What could possibly go wrong?
Simone, a clumsy financier, falls in love with Claudia, who’s living on her grandma’s retirement checks. When the old lady dies Claudia hides the body in a freezer, and sets up a fraud with the help of some friends to avoid bankruptcy.
Gabriele is a divorced dad who owns a music store and is completely focused on taking care of his 10-year-old daughter Sofia who spends time with both parents. One day he bumps into his old friend Mara who - for the first time since his separation - reignites his desire to be in a relationship. There is only one problem, Mara hates children!
Giacomo befriends a man, believing that he is the reincarnation of his dead father.
Fulvio is the only one of the three brothers to have left the village to go to work in the city. Deputy chief of staff in a large company, he dismisses people without remorse until he gets fired himself and after being jailed for beating his superior, is entrusted to his brother, who's a pastor in the village where they grew up. Forced into a place far from the modern world, Fulvio decides to help the local church in crisis by inventing a miracle that makes everyone believe that the saint's statue weeps. Tourists and pilgrims rush to the village and are filling the pockets of local businesses until the Vatican decides to send someone to certify the event. Fulvio must confess the scam, but the entire village will rise to convince the envoys of the Holy City for the veracity of the invented miracle.
Francis and Claudia are good friends . He is a lawyer, she is veterinary doctor. Among them there are no secrets , until John arrives. Claudia decides to marry him. Francis realizes that friendship between man and women is more complicated.
A ne'er-do-well who's married to a millionnaire realizes his financial trouble might be solved if his wife was dead - and sets out a plot to achieve just that. A remake of Dino Risi's "il vedovo".
Couple Andrea and Giulia, an outwardly successful couple, are having problems in the bedroom. When Giulia invites Max, an old friend from high school, to stay in the family home with their teenage son, some new attitudes begin to form.
Paolo needs to reach the castle of Alberto Caccia, where he was invited to spend Christmas with his family and Margherita, the ninth month of pregnancy. With them there will also be blessed, daughter of Alberto and childhood friend of Margherita, who was also pregnant. Among various mishaps and blunders, Paolo will combine another of his, coming to make everyone believe, because of a misunderstanding, that Alberto's died for his fault.
Seven days before his wedding, a man must contend with a series of never-ending disasters.
Anna and Piero fighting routine of a long marriage, when Piero loses his memory, Anna reconstructs his way. For its part, the concierge Rocco and his friend Michele play in a group that emulates the Beatles and face opposition from their partners. Finally, Marcello and Paola are a divorced couple who, from time to time, pretend they are still together to avoid problems. They are victims of a relentless war of sexes.
A blocked screenwriter, Ezio (Fabio De Luigi), is trying to finish a story about two off-kilter families thrown together when their teenage children announce they’re getting married. So Ezio writes himself into the story with a romantic part—a development his characters welcome, as they’ve got some ideas of their own for bigger and better roles.
A confrontation starts between a young man Diego and his beautiful neighbor Chiara.
Ex is a 2009 film directed and co-written by Fausto Brizzi and interpreted by a rich and large cast of characters. The film, produced by Italian International Film, in co-production with the French company and Mes Films in collaboration with RAI Cinema. It was released February 6, 2009 in Italian cinema and has been recognized as "national cultural interest" by the Directorate General for Cinema of the Ministry of Heritage and Culture.
Bologna, 1954. Taddeo, a young man of 18 whom everyone calls Kid, dreams of becoming one of the regulars of the mythical Margherita Café, located under the portico across from his family's home. Through a ploy, he manages to get work as the chauffeur for Al, the neighborhood's most glamorous and mysterious resident. Having been taken under Al's wing, Taddeo gets to witness the adventures of Bep, who is in love with Marcella the entraineuse; the trials and tribulations of Gian, an aspiring singer and the victim of a horrible practical joke; the crazy behavior of Manuelo, a small-time robber with a sex phobia; the meanness of Zanchi, inventor of the elastic necktie; and the bizarre manias of Sarti, a ballroom dancing champion who wears his tux day and night. And Taddeo's home life is no less out of the ordinary, considering his mother is being led on by the family physician while his grandfather has fallen head over heels for a well-built piano teacher.
A 14-year-old boy and his neo-Nazi dad are both outcasts in their suburban town.
Filippo is a star on the Italian TV. He works for a documentary series about wild animals and nature. He is sent to Tenerife (Spain) to shot an issue about the local stork. It is the 13th of August. After he did his job is time to leave, but the ferry couldn't operate. He has to spend the night in the island. The day after is again the 13th of August, and Filippo live again the same day for different times. Something has to change to exit the paranoid and unrealistic situation.
Paola and Andrea find out they both loved (and lost) the same man. They get over their mutual distrust and their friendship gradually develops to the point that they feel they should marry one another, but without giving up their personal freedom and sexual predilections. Theirs is a true love match: a marriage based on friendship and mutual respect, where sex does not come into the equation. The question is, will they stay together, or will society and its mores intervene?
After the 8th September 1943 north of Italy is occupied by Germans. Italian army collapsed and the soldiers are escaped to the mountains trying to set up a resistance. Many civilians did the same and Johnny, an English literature student, is among them. Johnny avoids to band together the red partisans (communists) and tries to be part of the azure bands (former regular soldiers). But in both cases he is deluded by the partisan bands and discovers that the partisan war is less poetic and genuine that he thought. At one point anyway the partisans free Alba from Germans. When the city falls again in German hands Johnny escape with Ettore and Pierre. But, one after another, German army and Italian fascists captures the partisans and Johnny will pass the winter alone and isolated. He then finds the way to participate to one of the last attack to occupants, in fact the war will be over two months later.
Matrimony is a drama about the complexity of relationships. On Christmas Eve, perfect housewife Giulia Francesca Neri is worried about a family heirloom which has cracked and rushes to the junk shop to get it repaired -- little anticipating her perfect marriage is about to fall to pieces as well. While everyone in Bologna is making last minute preparations, Giulia runs into her childhood sweetheart, Fausto Paolo Sassanelli. The meeting rekindles old feelings and Giulia realizes that to create the perfect marriage which everyone adores, she has sacrificed her own personality. While waiting to meet her parents at the station, she climbs into a departing train and disappears. The family slowly disintegrates, as if she were the binding element.
This documentary celebrates the 100th anniversary of the cinema birth. It is an historic running through the technical and artistic evolution of the 7th art. We move from mute to sound, from B&W to color, trough all the genders (musical, Lyric, politic...). Beside it we have a kind of resume of the historic contest in which cinema lived till now, events and movements (neo-realism, classical etc.). All the aspects are taken in consideration: fashion, star system till the end, the sad end, of cinema in the theaters.
