Falk Rockstroh
In the small German town of Ottern, a pediatrician diagnoses "chronic sexual abuse", while examining a young girl, setting events in motion that lead to a judicial scandal of devastating proportions.
Sophie and Georg once loved each other, but now they have split up. Almost the entire film takes place in front of the same doorway in Berlin. In an elliptical way, the individual scenes portray a family for whom the word patchwork is the new normal — and take a laconic look at the everyday irrationalities of love.
If you don‘t see things as a problem, you don‘t have one. This is the attitude Janne is trying to maintain towards the fact of being raped by the brother-in-law of her new boss. In the aftermath of her private bankruptcy, she needs a job and hates the idea of being a victim. Still, remaining silent about the incident has its consequences.
For Johannes and Lydia Klare, their faith in God comes first. Together they lead a small community in Stuttgart, successfully. People listen to them, they are becoming more and more close to them. There are even plans to make the donor-funded community much bigger by the generous contributions of Volker. First of all, the couple have quite different, more urgent points to take care of. When one day they watch the homeless street-boy Simon drifting back and forth in drug-related crises, they take him in for a short while. Together they want to help him again on the right path. But it is not just the drugs that are causing conflicts. Simon's homosexuality also presents the two with great challenge, since it is not so easy to unite with their faith.
A family reunion aboard a ship becomes a turning point in the life of 39-year-old engineer Markus. When his son Adam (4) gets a little cut after going to the bathroom with his grandmother Renate, Markus recalls for the first time what his mother did to him when he was a little boy. Markus and his wife Monika find themselves confronted with an ugly truth of the kind you wouldn’t think a mother capable of.
Freelance journalist Jan Schulte hopes for a job at the online portal of Berlin newspaper “Die Republik” when he discovers a potential scandal. Federal minister of health Elisabeth Stade apparently helped her brother’s search for a heart transplant by moving him up the waiting list illegally. But then Schulte’s colleague Britta claims the compromising material is a fake. Editor-in-chief Weishaupt and publisher Winter refuse to run the article. As Jan keeps on digging into the scandal, investigating state secretary Katharina Pflüger and political advisor Frank Gruber, his evidence is suddenly stolen from the newspaper office, and soon a competing tabloid breaks the story...
Mid-forties Franziska is pregnant. Instead of looking forward to it, her husband Andreas opens up that he separates from her because he can no longer endure her neurotic control rage. As much as Franziska always wanted a child, as a single parent she sees no perspective. But then she meets the pregnant, 19-year-old Lilli. The funky woman whirls Franziska strictly regulated everyday life together and shows her how wonderful life can be, if you allow it
Eva lives a happy life with her father, an unsuccessful but always optimistic car salesman, her consumerist mother, and her quirky grandmother. But Eva is a tad different - she suffers from Tourette's syndrome. Her family has long been accustomed to her tics and the accompanying insults and bullying, and Eva has come to grips with her role as an outsider. When her father gets a job offer to work in Berlin, they must suddenly leave their familiar surroundings. But Eva won't have it, this move must be prevented - at any price!
Four stories dealing with the dialectics of enlightenment, with the randomness of love, birth and death. Aleks participates in an experiment facing civil war in former Yugoslavia. Sarah tries to escape loneliness by investigating a murder. Bastian has to deal with his father's decision to die. Anna dances with a foreign man. How destructive is the unlimited search for insight? Should one lie in order to protect a loved one, who'll be destroyed by truth?
The era of the feared sea pirates Klaus Störtebeker and Gödeke Michels is coming to an end. After a long period with no booty at last a bulging ship appears on the horizon. However, Störtebeker is badly wounded in the attempted capture and the pirates suffer ignominious defeat. Not only their ship is down the drain - Störtebeker himself is suddenly plagued by anxiety and doubt about his very existence as a pirate. He is drawn to the beautiful country girl Bille, while Michels gets rebuffed by the friesian princess Okka. In the very moment that the crew have mutinied and co-captain Michels is literally at the end of his tether, they discover on board their ramshackle old tub a most unique wonder weapon. Glory days are quickly revived - until the mighty Hanse consolidate their power and weaponry and go to war against the pirates. Störtebeker and Michels are forced to decide: To live as a farmer or to die as a pirate.
This quiet comedy by screenwriter Arndt Stüwe - reminiscent in style and tone of Billy Wilders "The Apartment" - Rolf Schübel staged emotionally and attractively with Bernadette Heerwagen and Wotan Wilke Möhring: a heart-warming Christmas love.
17-year-old Guido suffers since his early childhood from neurodermatitis. After being taken to the hospital due to a heavy attack, he starts to question his personal and familiar environment and discovers that his parents’ relationship – which he assumed to be happy and sound – is built on lies. Unable to deal with this disappointment, he flees from it and moves in with his older brother and his roommates...
16 year-old Georg is forced to leave his home in the West, which means saying goodbye to his two loves; his girlfriend, and his Taekwondo team, something that is all-important to him. Now living in Cottbus, an economically depressed place where the people are not too fond of things like American culture and foreigners living in their country, Georg soon falls in with a group of angry mates. Together the group delves further into a nationalist way of thinking, and soon they are shaving their heads, and becoming a skinhead gang. "Kombat Sechzehn" features some impressive, proffessional looking fight sequences, as well as a memorable soundtrack.
Jost roams through the streets of Berlin. He opposes the world enraged, aggressively and furiously in a self-destructive way. He continuously provokes situations proving to himself that everybody hates him. He is convinced he does not need anybody and does not let anyone get close to him. Anna is walled in by her fear and unable to leave her apartment. She manages to keep this situation from all the others in a system of lies. Her reserves draw to a close. She heads for a catastrophe. One day, Jost shows up at her door.
At seventeen, girls are all about looking good, dressing right and making out with the cutest boys. Or they're like Luka, who's an ace in boxing and couldn't care less about her looks or her appeal to boys. When she breaks a schoolmate's nose, her parents send her off to boarding school to acquire some ladylike manners. There she's mistaken for Frankie, a boy who hasn't shown up, and takes on his identity. With her boxing skills, she instantly wins over her three roommates Chico, Toby and Jo, and strikes up a particularly close friendship with Chico. Her uncompromising honesty and loyalty to her new friends, however, soon get her into trouble with the headmistress and her nephew, the school bully.
Kati and Steffi have been best friends since they were six. Now they're both 17 and enjoying the ups and downs of becoming adults together. While Kati's parents are religious and conservative, but argue constantly, Steffi comes from what appears to be a harmonious and liberal family. But the girls discover how quickly their attractive world can fall apart when, at a hip nightclub, they happen to see Steffi's father in the arms of another woman. Steffi is shocked, her trust in her small perfect world shaken to the core. She can only think of one thing: revenge.
The year 1933: Successful actress Maria Rheine is in love with her Jewish colleague Mark Löwenthal. When the Nazis implement the racist Nuremberg Laws, their relationship is severely endangered. Defiant Maria decides to stay together with Mark and ends her promising career: She assumes a Jewish identity and continues to work under the name Manja Löwenthal. She and Mark perform at the Jewish Theatre in Berlin, until they become victims of an intrigue: Their colleague Judith, who has a crush on Mark, denounces them to the secret police.
This biographical film is set in 1937, with Fallada suffering the effects of living under a microscope. The film details his decline, as he is intermittently imprisoned and threatened in order to motivate him to write for the Fatherland. Even the attention of his kind, patient wife and loving children begin to feel oppressive to him. This is one of the few films to take a serious, in-depth look at the tribulations of a creative artist pulled in all different directions by the real world.
A tale of two youngsters who want to reunite their estranged parents. Because of her work commitments, Mum has to leave the children with their absent father for an extended vacation and so he has to learn how to be a proper Dad to them. Meanwhile, the kids do their best to bring the family back together.
