Farida Ouchani
The story of a young Belgian actor of Moroccan origin who agrees to play the role of Saint-François-d'Assise to put an end to the roles of nice Arabs that are stuck on his forehead in often mediocre films. Getting into the historical figure will represent a real challenge for him; when his father, settled in Morocco, suddenly returns to Brussels with a new wife, and the beginnings of Alzheimer's, he finds himself having to juggle between the expectations of his colleagues and his family.
Moussa has always been gentle, altruistic and present for his family. This is the opposite of his brother Ryad, a TV presenter of great notoriety who is reproached for his selfishness by his entourage. Only Moussa defends him, who has great admiration for his brother. One day Moussa falls and hits his head violently. He suffers a head injury. Unrecognizable, he now speaks without a filter and tells his relatives the truth. He ends up falling out with everyone except Ryad.
Patience Portefeux is a French-Arabic police translator, specialized in phone tappings for the anti-narcotics unit. The job is tough and low-paid, but the commander is charming... One day, whilst listening to wanted drug dealers, she discovers one of them is the son of the fantastic woman who takes care of her mother. She decides to protect him and is brought in the middle of a drug network. When she gets her hands on a huge load of hash, with the help of her new partner, the former police dog DNA, she seizes the opportunity and becomes Mama Weed, drug wholesaler, thanks to her field experience... and all the information she gets in her job!
Dalia, a french ex-reality TV starlet, is at her lowest point. Depressed and overweight, she tries to reconnect with her estranged mother, who still refuses to talk to her because of her seedy tabloid fodder past. Deeply hurt, Dalia accepts to be part of a new TV show booked by Coco, her agent, on the one condition that she loses weight. But as Coco strives to make her the IT-girl she once was, Dalia's repressed Algerian origins resurface in nightmares and hallucinations.
At the pinnacle of her career as a lawyer, Lucie goes to Morocco on a business trip, a long way from home and her husband. On her arrival in Tangier, she is struck by the chaotic agitation of the city, where it seems that anything could happen. When, out of nowhere, a Nigerian teenager gives Lucie her baby and asks her to protect it, she is completely thrown off balance. Braving the dark corners of the city, Lucie will attempt to rescue this young woman from a dangerous human trafficking ring. But she hadn't foreseen the growing attachment she feels toward the child...
Edith, a 45-year-old textile factory worker, sees her life turned upside down by the company’s downsizing measures. Estranged from her son and without any other ties, rather than go into unemployment, she decides to leave her life behind and follow her work at the factory which has been relocated in Morocco.
Dino Fabrizzi is the number one seller of the Maserati dealership in Nice. At 42, he arrives at a turning point in his life, the position of director is openly proposed and his companion for a year, Helen, has the firm intention to marry her. For Dino, life is great, except that this perfect life was built on a lie. Dino is actually called Mourad Ben Saoud. Neither his boss nor Helen and even less his parents are aware of this false identity. In ten days begins Ramadan and Mourad who passes every year will this time assume the promise made to his sick father. Taking part in Ramadan, For Dino - the Italian - it will not be easy.
Mary and Joseph make the hard journey to Bethlehem for a blessed event in this retelling of the Nativity story. This meticulously researched and visually lush adaptation of the biblical tale follows the pair on their arduous path to their arrival in a small village, where they find shelter in a quiet manger and Jesus is born.
Hardly freed from a French prison, Kamel is deported in his native state, Algeria, and discovers a country split between modernity and tradition.
Francis, who is in his forties, manages the French subsidiary of an American high-tech company. But the shareholders suddenly decide to close it. Depressed by the idea of being unemployed and the prospect of losing his second wife, Francis decides to consult a fortune-teller. The experience is a real eye-opener for him and the start of a new career: He pretends to be a fortune teller himself and turns into Madame Irma. How to explain that to his wife Clotilde?
