Fay Weldon

Powerful supernatural forces are unleashed when a young architect becomes pregnant after moving to an isolated and mysterious valley to build a house.

4.2/10

Drama series centring the establishment of a feminist publishing house from the 1970s to the 1990s.

6.3/10

A poetic look at the life and legacy of legendary author Philip K. Dick (1928-1982), who wrote over over a hundred short stories and 44 novels of mind-bending sci-fi, exploring themes of authority, drugs, theology, mental illness and much more.

7.7/10

Joanna once was married to Carl May, a very rich and powerful nuclear energy magnate. They love each other, but had to divorce after Joanna was caught on an incidental love affair. Since then Carl has made Joanna's life impossible. 10 years later she's fed up with the situation and decides to visit him, only to find that once he made three copies of her

6.5/10

A cunning and resourceful housewife vows revenge on her husband when he begins an affair with a wealthy romance novelist.

5.7/10

This touching drama series charts the fortunes of three young women who, having returned from their voluntary service as ambulance drivers during the First World War, decide to set up a 'universal aunts' agency to help those less fortunate than themselves. This set comprises the complete series alongside the pilot episode, scripted by Upstairs, Downstairs' Alfred Shaughnessy and screened in 1985 as a drama in ITV's Storyboard anthology. Penned by a largely female team that includes novelist Fay Weldon, Ladies in Charge stars Carol Royle, Julia Hills and Julia Swift as the ladies of benevolent intent; guests include Imelda Staunton, Julian Glover, Michael Gough, Richard Vernon and, in one of his earliest television roles, Hugh Grant.

6.7/10

The arrival of a young, well-off, eligible man named Mr. Bingley sends the Bennet household--with five girls of a marrying age--into a tizzy. But it's the introduction of Mr. Bingley's friend, Mr. Darcy, that sets in motion the fate of Elizabeth Bennet, resolved only after a labyrinth of social and personal complexities.

7.3/10

'Any man was better than no man at all. After what I did to you, I couldn't let go the idea that I loved him. Love was the only justification for my cruelty.'

A teenage girl is sent to a women's prison, but should she really be there?

Fay Weldon's play about adultery, middle age, and ambition.

Men behave in a beastly, chauvinistic manner at an office party, turning what should be a fun break from work into an exercise in bad taste.

A politically-active couple's involvement in an election campaign threatens their marriage through personal entanglements with the candidate and other campaigners.

Thirty-Minute Theatre is an anthology drama series of short plays shown on BBC Television between 1965 and 1973, which was used in part at least as a training ground for new writers, on account of its short running length, and which therefore attracted many writers who later became well known. It was initially produced by Graeme MacDonald. Thirty-Minute Theatre followed on from a similarly named ITV series, beginning on BBC2 in 1965 with an adaptation of the black comedy Parsons Pleasure. Dennis Potter contributed Emergency – Ward 9, which he partially recycled in the much later The Singing Detective. In 1967 BBC2 launched the UK's first colour service, with the consequence that Thirty-Minute Theatre became the first drama series in the country to be shown in colour. As well as single plays, the series showed several linked collections of plays, including a group of four plays by John Mortimer named after areas of London in 1972, two three-part Inspector Waugh series starring Clive Swift in the title role, and a trilogy of plays by Jean Benedetti, broadcast in 1969, focusing on infamous historical figures such as Adolf Hitler and Joseph Stalin.

7.4/10

The Wednesday Play is an anthology series of British television plays which ran on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured. The series gained a reputation for presenting contemporary social dramas, and for bringing issues to the attention of a mass audience that would not otherwise have been discussed on screen.

7.4/10