Fernando Benini

Carrossel is a children's telenovela created by Abel Santa Cruz and written by Íris Abravanel, originally transmitted on SBT from May 21, 2012 to present. It is a Brazilian remake of the Mexican telenovela Carrusel, which in turn had been inspired by the Argentinean telenovela Jacinta Pichimahuida, la Maestra que no se Olvida. In a short time the display was a telenovela phenomenon of hearing canal causing quite successful among the children public yielding several CDs, DVDs, toys and other products in less than a year. including we have made several spin-offs based on it, including a cartoon series and television sitcom.

Some brazilian chicks are kidnapped by girl dealers and carried away on a small airplane to take them to the amazon jungle. What follows is catch as catch can between two groups of gangs... but the girls have fun anyway...

Celso Felix, a successful radio broadcaster in the metropolis, is disillusioned with his everyday life and leaves his wife and children to live in a small beach town on the brazilian coast.

There's the continent ruled by a repressive government and there's an island where political activists of the continent take refuge on running away from the continent's police. This island is their last stand – there they live in a way not possible in the continent – free love, no possessions, brotherhood… In the continent, a killer is sent to the island to kill the revolutionary leaders. The killer is a woman , Ana (Neide Ribeiro). She will go there as a journalist sent there to interview the leaders of the movement. On arriving to the island, she will find out that things were much different from what she expected. Will Ana be involved by the "island of forbidden pleasures." Will she fulfill her mission?

A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks he's Carmen Miranda, a black king, a fallen black angel, a priest, two whores, a pregnant cowboy, among others.

Paranoia, guilt, misery, and technology in the developing country. A fragmented narrative, distorted frames, shouts, and noises. The Nazis take over São Paulo: prison and torture of revolutionaries, a samurai lost in chaos, locked lovers, a dictator and his bunch. Considered one of the most influential films of the marginal period.