Flonja Kodheli
The new President of Switzerland is struggling to free a group of hostages being held in Yemen. She's prepared to do anything to achieve that goal, because even in the most placid country in the world, shady dealings are hatched behind closed doors and political ambitions feed on violence. Until Tina, a cleaning lady at the Federal Palace, throws a monkey wrench into the intricate gears of that political machine.
Threatened by creditors, a newly unemployed man agrees to work for a debt collector, but soon discovers his deal with the devil has unexpected costs.
The lives of the tenants of a lower-class apartment building in the outskirts intersect on a backdrop of crime, drug dealing, confused feelings and tainted relationships, in a lucid portrait of contemporary Rome. Marcello, a bisexual former body builder married with Chiara, has an affair with the bourgeois professor Walter; the ambitious Mauro and cold-blooded dealer and his wife Simona get involved in the ambiguous business of the local boss Carmine to move up to the elegant and cruel circles of central Rome that profit from the public funds for the disadvantaged; Valeria and her son Attilio, Flaminia and her violent husband Bruno face the daily difficulties of their troubled lives. The corrupted powers of urban speculation invade a suspended corner of the suburbs, contaminating the lives of a group of lost souls,revealing the desperate world of the slum and the pitiless scene of the city center as the hidden face of the same coin.
Years after declaring her eternal virginity and opting to live life as a man in the mountains of Albania, Hana looks to return to living as a woman as she settles into a new existence in modern-day Milan.
Bota (Albanian for “the world”) is a cafe situated on the edge of a vast area of marshland in a remote part of Albania, and it is here that the lives of the protagonists intersect in this compelling debut by Iris Elezi and Thomas Logoreci. The directors skilfully exploit the genius loci of the desolate landscape and, aided by a period score and beguiling long shots, they flawlessly evoke the atmosphere of a place where the past still encroaches upon people’s lives.
An Albanian emigrant is caught in Amsterdam among the promise and allure of the sin-filled city.
Stela, from Albania, returns to her mother's home in Brussels to attend her grandmother's funeral. She notices suddenly that her mother is possessed by fear rather than by grief. Her behavior seems confused, absurd and even, sometimes, paranoid. The trauma resurging from the past invade their lives.
