Francesca De Sapio
It is the year 33 of the Vulgar Era. The Emperor Tiberius is troubled by strange phenomena, an earthquake and the sky turning black as an eclipse. His astrologers give him fair warning: their omens indicate that the world is in the throes of a great upheaval and that old gods have been annihilated. A new kingdom is about to rise in the East. The Emperor calls Tito Valerio Tauro, the most prominent
"Satan will no longer be beast... but beauty!" That declaration comes early in The Eighteenth Angel, signaling the kind of horror movie we're in for: thick and cheesy. When that line (and others like it) is uttered by mad monk Maximilian Schell, it's even creamier. Schell is ushering in the return of the Antichrist by genetically engineering Satan's minions, but he needs the transplant
Dramatization of the life of Italian actress Sophia Loren who plays herself during adulthood and also that of her mother Romilda Villani.
Aurora Rumelin is happy because the noble writer Leopold Sacher-Masoch has asked for her hand. Little by little the marriage goes into crisis mainly because Leopold asks his wife to beat him before sexual relations and to treat him like a slave. Both spouses have lovers and, in the end, the marriage ends in divorce.
A new teacher introduces radical ideas at a nursery school and it leads to various reactions from the students and the parents.
A hip American agent and his foxy associate try to recover a hundred pounds of stolen plutonium in Italy before it can be used by terrorists.
In metahistorical New York city electrotechnician Lafayette deals with a megalomaniac director of a wax museum of ancient Rome, an italian lonely anarchist, a group of feminist actresses - including Angelica who falls in love with him - and a small adopted chimpanzee.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
During a session with his psychoanalyst, Alexander Portnoy rants about everything that is bothering him. His complaints include his childhood and his family with an emphasis on his mother, his sexual fantasies and the problems that he has with women, and his obsessive feelings about his Judaism.
